A Bit of Fry and Laurie

Stephen Fry and Hugh Laurie are known for their comical timing, wit and acting skills and until now one could only imagine what sort of mad magic will be created if they script down and act out a "sketch" themselves. A bit of Fry and Laurie encapsulates the talents of both of them in the perfect proportions to make the audience laugh. Not having to use a script, but just 'Bits' as the title suggests, makes it all the more light-hearted. The use of language to make something absolutely innocent, to outrageously funny is probably the most striking aspect. Sure they go overboard sometime, but hey like I said, its madness. Funny, insane, sometimes thought provoking and of course Fry and Laurie.

Monty Python's footballing philosophers sketch is a good example of the painful varsity guff that has been a part of British TV and radio right up until today's 'League of Gentlemen'. It isn't what Fry and Laurie do at all. They plough a completely original furrow of snatched conversation, admass and inane banter that forms an impressionistic picture of the most baffling and frustrating 'bits' of the British experience.

A collection of sketches and routines that could well baffle some foreign viewers who may not understand the love/hate relationship that most sensible Britons have with their country. For example, in mentioning the town 'Utoxeter' Fry and Laurie are able to throw the audience completely. One viewer may remember a trip to the town, another may never have been there but is able to wonder quite how unpleasant/pleasant it may be. Some will know that there is a race track there but know no more. And we all get to celebrate a name that is bound to be far more interesting than the place it's self. Don't let that put you off. Most of their material is more universal than this example implies. It's this kind of circular thinking that Fry and Laurie spend most of their time exploiting while also chucking in TV show pastiche, songs and quite a few traditional 'shop sketches' that simply leave Monty Python wheezing on the touch-line. What I mean is that random elements are seemingly clumsily adhered to tried and tested comedy formulae to create something quite striking and original.

It's not to everyone's taste but if you believe that stupidity and intelligence are the two vital sides of the comedy coin then this pair may be for you.

Having never seen ABOFAL on TV, I've now watched all of Seasons 1 and 2 on DVD. To be fair, one should note that not every sketch delights--some are perhaps a shade too random and give us little to hang on to or identify with; but when Fry gets going on his "overly-florid-speech" character, with Laurie as the increasingly put-out straight man, we're in LOL territory. A particular highlight of Season 2 is the extended sketch in which an effete, reticent Laurie is charged by Fry's menacing spy/terrorist with planting a bomb in a local restaurant--then this scenario plays out alongside two or three other situations in the restaurant--each one terrific--with Fry and Laurie playing multiple characters.

In addition to the six episodes of Season 2m the DVD includes a 45ish-minute "Cambridge University Footlights Revue" that, while inconsistent in tone and quality, shows off Fry and Laurie and some of their contemporaries (including Emma Thompson) at college-age, looking freshly scrubbed and adorable. Fry, in particular, had yet to gain his extra poundage--his slender face is beautiful and he is a veritable panther in terms of physical grace. He, solo, also has the best piece in the "Revue," a recitation called "The Letter" that recounts, with raucously funny wordplay, his Harkerian visit to Transylvania to respond to the legal needs of one Count Dracula. ("The journey through Eastern Europe had passed pleasantly enough. I'd picked up a little German on a previous visit, and he and I had met up again at Ragensberg. Now, night was just falling as I knocked on the mighty oaken door, and heard the answering echoes ring through the castle. After what seemed a cliché, iron bolts were drawn back..." "I tried to question Travolta as to the nature of the Count's business as I dressed for dinner, but he made the sign of the cross and said nothing. I asked him why there were no mirrors in the castle, but this time he made the sign of the very cross indeed, and spat." "The wind whistled all through the night, and other Welsh hymns. I arose early, made my toilet, sat on it, and then came down to breakfast.")

I liked Jeeves & Wooster a lot. But it wasn't until I saw BlackAdder that I truly became a fan of Stephen Fry and Hugh Laurie. Over the years I have shifted more toward Laurie than Fry, with "House" completing that shift. (Okay, I'm a House fanatic.) But, living in the U.S., I had never been able to see ABOFAL (other than the occasional sketch posted to the internet). Fortunately, the first two series are now out on DVD. And I've just finished watching the first one.

These men are spectacular together. The acting is beyond reproach. But it is the writing that deserves special note. It is sharp, funny, sly, silly and merciless in skewering the pompous and the ordinary alike. But, above all, it never condescends. They assume the audience is a smart as they are.

I'm tempted to give an example, but so many of the sketches have hilarious twists at the end and I wouldn't want to ruin any of the punchlines for future viewers. But I can promise you at least two or three laugh-out-loud moments in every episode (even if you are watching all by yourself, as I was.)

I do have one quibble which kept me from giving ABOFAL a score of 10. The person who mixed the soundtrack on the DVDs should be taken out and tortured. Slowly. And painfully. There is a laugh track that is silent until they get to a punchline. Then it is dropped in, loudly enough to rattle the walls, frequently ruining the next line. And, in the final sketch in Series 1, the music actually drowns out the actors.

Edit - I have since learned that ABOFAL did not use laugh tracks. The laughter was from the studio audiences (and those tapes have since been used as laugh tracks on other shows.) So the problem was not that they added laughter too loudly, just that the DVDs had a sound mixer who did not comprehend that letting the at-home audience hearing the dialog is more important than proving that the studio audience enjoyed themselves at the taping.

This is the BEST comedy sketch show I have ever seen, besides or perhaps alongside with Monty Python. Their characters are flawless and the duo are absolutely perfect for one another. Laurie wonderfully balances out Fry's excellent but at times overbearing presence, while Fry brings Laurie round and supports him subtly but effectively. Possibly the most outstanding aspect of this marvel is their hilarious and creative wordplay, which is made even better by Lauries comical physical comedy and Fry's occasional hilarious slapstick. An example of their creativeness is seen here:

Fry: "Which of sir's manifold hairs would he care to place in my professional care for the purposes of securing an encutment?"

Laurie: "Well, all of them."

Fry: "My, I haven't cut a full head of hair since before the war!"

Another favorite of mine is the recurring skit of Tony and his coffee-obsessed boss Control, as their interactions are robotic and excessively civil, while at the same time having innuendo like undertones. They supposedly work for the CIA.

This is, again, the most drop-dead hilarious show you will ever come across. If you see only one of Hugh Laurie's or Stephen Fry's works, let this be it!!!