When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
Tony Chiu-Wai Leung,
Set in Hong Kong and Vancouver, the story follows Mac Ramsey and Li Ann Tsei, lovers and professional thieves who are separated while fleeing the powerful Hong Kong underworld crime lord ... See full summary »
The Thai government hires a group of Chinese mercenaries to capture a powerful drug lord from the Golden Triangle. The mercenaries manage to capture the drug lord, but soon find themselves ... See full summary »
Once a Thief is an action/comedy/romance movie involving the plight of three master thieves (in the mode of Pink Panther). All three were raised by the same father and in fact were most certainly street orphans. The story begins with a successful art heist followed by a pledge to make this the last crime ever for the trio. The plot revolves around the theft of a mysterious "cursed" painting and how its obsession affects the family.Written by
The time elapsed between the first day of shooting and the first public screening of the finished film was ten weeks. See more »
When Joe and Cherie are driving behind the truck, that is transporting the paintings (including their marked one), you can clearly see the rope holding the car of Joe and Cherie close to the truck during the stunt scene. See more »
I want to live somewhere peaceful, that isn't at war.
Red Bean Pudding:
Iraq? There's no war in Iraq. Or go to heaven, they have clean air!
See more »
Three professional thieves (Chow Yun-fat, Leslie Cheung and Cherie Chung) steal a valuable painting coveted by their villainous mentor (Kenneth Tsang), leading to violent retribution.
John Woo redeemed the commercial failure of his masterpiece BULLET IN THE HEAD (1990) with this breezy comedy-caper, designed to restore his directorial fortunes at home and abroad. Originally conceived as a dark-hearted tragedy, Woo and co-screenwriter Clifton Ko (FOREVER YOURS) re-tooled the project for a Chinese New Year release, allowing the director to indulge his fondness for French New Wave cinema by setting much of the narrative within continental Europe, toplined by some of HK's biggest - and most iconic - movie stars. Chow overplays his role as an experienced jewel thief who alienates his loved ones by refusing to take life seriously, while Cheung and Chung are sympathetic and beautiful as his trusted sidekicks (the scene in which they dance the tango at a swank party is one of the highlights of their respective careers). Typically of Woo, the action scenes are fluid, dynamic and endlessly inventive, photographed with glossy precision by world-class cinematographer Poon Hang-sang (SHANGHAI GRAND). Planned and executed within a three month period (!), the movie overcomes its rough edges and jarring comic interludes (get a load of that final scene!) to emerge as an irresistible blend of big stars, fancy glamour and creative set-pieces. Woo returned to the story in 1996 for a Canadian TV movie (using the same title) which was dismissed by fans and general audiences alike, and quickly disappeared. Stick with the original.
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