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Title: Wild at Heart (1990)
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| Cast overview, first billed only: | |||
| Nicolas Cage | ... | Sailor Ripley | |
| Laura Dern | ... | Lula | |
| Willem Dafoe | ... | Bobby Peru | |
| J.E. Freeman | ... | Santos | |
| Crispin Glover | ... | Dell | |
| Diane Ladd | ... | Marietta Fortune | |
| Calvin Lockhart | ... | Reggie | |
| Isabella Rossellini | ... | Perdita | |
| Harry Dean Stanton | ... | Johnnie Farragut | |
| Grace Zabriskie | ... | Juana | |
| Sherilyn Fenn | ... | Girl in Accident | |
| Marvin Kaplan | ... | Uncle Pooch | |
| William Morgan Sheppard | ... | Mr. Reindeer (as W. Morgan Sheppard) | |
| David Patrick Kelly | ... | Dropshadow | |
| Freddie Jones | ... | George Kovich | |
Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
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The opening scene to Wild At Heart features Nick Cage ferociously beating an assassin to death. Heads are rammed against walls, fists are lunged into guts and what results is a brutally bashed corpse with brains pouring out of it's head. This kind of high-octane violence which is fueled by maniacal characters and deranged intervals creates a fantastic effect. One which has so much impact and so much individuality to it's merit that it turns out to be one hell of a movie.
This is simultaneously a thrilling road movie and a revelation of small town, American country folk. The two protagonists, Sailor and Lula (Nicholas Cage and Laura Dern) are so in love with each other that they'd go to extreme lengths not to be separated. Their separation is exactly what Lula's crazed mother wants, as she believes that Sailor is a cold-blooded murderer who is putting her daughter in danger. Her anger is so fierce that the viewer becomes slightly scared by her: her manic fits of rage where she plasters herself in red lipstick; her bizarre paroxysms fueled by numerous cocktails. All of her slight idiosyncrasies and mannerisms well up to create a very intimidating mother. She sends out a hitman to dispose of Sailor and bring back her daughter, but the lovely couple are on the run from her and the law.
Sailor and Lula meet up with some very strange characters whilst travelling far away from Lula's mother. The eccentricities of 'Tuna Town' in Texas, the insane car accident victim and Lula's nutcase cousin who believes that "the man with the black glove is coming to get him". It's all rudimentary David Lynch fare. He has mastered the art of contemporary film making: a clever blend of black-comedy, violence and fantasy.
The viewer builds an empathy for the two main characters, as it would be a terrible thing to see their undying love for each other shattered. The other characters in the movie all seem to want to destroy that love. Sailor's character, although violent and hardbitten, seems the most normal of the lot. It takes a sane man to make sense of all the insane folk in America's underbelly. He puts up with a lot from everyone, but all he really wants to do is escape from it all with Lula.
After all, who can love in a world that's wild at heart?
Nine out of ten.