When John travels to Paris to attend an art sale hosted by his old flame, he begins a torrid affair with a gorgeous woman (Angie Everhart) who used to be her best friend. As the erotic ... See full summary »
Agathe de La Fontaine,
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this ... See full summary »
Anthony Michael Hall
A simple self-destructive drifter and tough small-time boxer with a brain injury that could kill him meets and falls for a cute beach carnival owner, Ruby, but also befriends a sleazy friendly criminal, Wesley, who's planing a big score.
Emily, a raw recruit to a law firm is sent to Brazil with Claudia to help finalise a real estate deal. Emily is innocent and vulnerable, and when she's left in Rio with Wheeler, a milionaire with an unusual outlook on life, Emily is shocked and intrigued by the sex antics to which she is exposed.Written by
The limousine used in the film is an early 1980s Ford Landau - in Brasil the Ford Landau was an upscale model of the Ford Galaxie 500 sold in Brasil since 1967 using the 1966 model year bodystyle (the Landau seen in the film had some styling motifs borrowed from a mid-1960s Lincoln Continental). See more »
In the end, when Wheeler and Emily ride off on the Harley, Wheeler is wearing a leather vest in some shots, and a long sleeved leather jacket in others. See more »
Why do I get the feeIing that... if I reach out and touch you, you'll disappear?
Why don't you try it and see?
[Emily puts her arms around him and he moves away slightly]
I'm sorry. It's not you. It's me... I'm just not... very good at being touched, Emily.
See more »
R-rated version runs 106 min. the more explicit unrated version is 111 min. See more »
Back in 1990, people didn't have to deal with the horrible slate of fly-by-night movies that die at the box office after one week. So many movies that would have been rejected by the studio heads for mainstream distribution back then have been allowed in (Glitter, Freddy Got Fingered, Tomcats, Ready To Rumble, the N'SYNC movie, Teen Movie, and 30 lame horror films, etc.), and then throw in the over-hyped blockbusters. Altogether, a good enough reason for a true lover of cinema like myself to stay clear of movie theaters.
Because of all that, I think this movie deserves to be looked at again. If it was the worst film for 1990, then yes, it's a contender. Carre Otis is very beautiful, but her presence as an actress is awful. She either stands there and looks pretty or delivers small lines in a forced manner. Mickey Rourke, playing the same character he portrayed in the "pre-quel" 9 1/2 Weeks, just walks around trying to be cool. Jacqueline Bisset and Bruce Greenwood do a good acting job, but their role in the film are to support the growing sexuality between Otis and Rourke. And yes, the storyline is nothing but an excuse for Zalman King's arty sex coupling.
BUT, if you compare this film with the drivel coming out these days, then this movie is much better. First, it was highly controversial (for a reason or two). Second, I think the sensuality is very erotic, because of the behind the scenes relationship of Mickey and Carre, or in a lot of the other assorted scenes. Third, Rio is a truly beautiful setting for sin, and the movie depicts it's partying attitude in spades (almost too much). And finally, this movie doesn't lie about it's intentions. If you wanted a sexually charged erotic drama/thriller, it doesn't disappoint. Yes, it's pretty slow, but the it's erotic build-up is very good. Bonus: no fake bodies.
Bottom line: It's not Citizen Kane, and for 1990 it was terrible, but for 2001-02, it's a heck of a lot better than today's releases.
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