As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than take care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.Written by
The plane's flight to Africa is marked from it's starting point in Europe, south to it's destination in Uganda. The shot then switches to the plane flying over the Victoria Falls, Zimbabwe. See more »
How 'bout that. I feel pretty good, really. It's like I always tell ya kid, you gotta fight when you think it's the right thing to do. Otherwise, you feel like your gut's full of puss. Even if you get the hell beat outta ya, if ya fight, ya feel ok about it.
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Underrated Classic... Clint Eastwood plays John Huston!
(4 outta 5 stars)
One of Clint Eastwood's most unjustly-neglected movies... he directed and stars as a cranky, strong-willed movie director (he's actually playing the real-life John Huston, though his character is called "Wilson" in the movie... and the book it was based on). In Africa to direct an action-comedy ("The African Queen" in real life) Wilson throws the project into turmoil when he suddenly becomes obsessed with hunting and killing an elephant. "It's not a crime... it's bigger than that... it's a SIN," he says by way of justification. It takes a while to get used to Clint trying to play John Huston... trying to talk in a different style of voice than we're used to hearing... but the dialogue and story are so compelling that you forget that Clint really is the wrong guy for this role. And yet, by the time the movie reaches it's devastating final line... Clint has made the character his own. As far as Clint's directing work goes... I would rank this film right after "Unforgiven"... yes, even better than "Mystic River"!
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