After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's father.Written by
Tom Unger <email@example.com>
The paperback that Audry is reading in the bookstore scene is THE JESUS FACTOR, a 1970 work of fiction about the threat of (or actual lack of the threat) of nuclear war. See more »
When Audry and Emmet are walking in the street rite after Audry tells Emmet she does not want to go out with him anymore if you look behind Audry you can see a car approach the corner and a crew member directing the car to turn left so it does not interfere with the shot, the crew member even walks up to the car. See more »
Mind you, it's a wafer thin storyline. A heart-warming little story of an ex-convict returning to a city, and the infatuation of the local Lolita has for him, it touches you, ever so softly, from behind the facade of the boisterous small town existence and the foibles of the small group of townspeople who form the nucleus of the story. At the end of it, you're glad you sat down to watch it - it's a laid-back mind-soother, which leaves you with a warm feeling all over.
What elevates the film by several rungs is, however, the superb performance of Robert Burke as the mercurial, unpredictable and enigmatic Joshua Hutton, who leaves you ambivalent about his real intentions till the very end, when all is revealed. Supporting him, ably, is the petite Adrienne Shelly, who may not be strictly pretty, but has an elfin charm - not really a little girl any more, but not yet a woman. They complement each other perfectly, and it is this chemistry that makes the film glow, and forms the perfect foil to the humdrum backdrop of everything else that is going on.
It's rewarding, and relaxing, viewing - a perfect de-stresser, if there ever was one. If you can get hold of a copy, hold on, tight.
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