Due to the lack of men after the Civil War, a small western town allows a bachelorette with ulterior motives to save a horse thief from the gallows by marrying him. They must deal with his old gang, the Sheriff, the bank, and each other.
A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of ... See full summary »
Francis Ford Coppola,
THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most ... See full summary »
After the war, L.A. private eye Jake Gittes is hired by realtor Jake Berman. He proves the infidelity of Berman's wife Kitty and sets up a way for her to be caught in the act. At the rendezvous, Berman shoots the co-respondent who turns out to be his business partner. Gittes finds himself in the middle of a complicated web, under pressure from all sides for a wire recording of the fatal encounter. He then realises that the land the partners were developing was once an orange grove connected with a case he has never quite got over.Written by
Jeremy Perkins <firstname.lastname@example.org>
Nicholson and writer Robert Towne revisit old haunts...
Long-delayed follow-up (of sorts) to 1974's "Chinatown", which was directed by Roman Polanski and featured Jack Nicholson as 1930s private detective J.J. Gittes. "The Two Jakes" was written by returning screenwriter Robert Towne and directed by Nicholson himself, who also stars, but--despite a certain patchy swagger and style--it's a let-down for admirers of the previous film, and a yawner to latter-day Nicholson fans who might be expecting some combative, belligerent fireworks. Jack's gumshoe delves into an infidelity scandal which quickly leads to dirty doings in the oil business (it was water the first time). Confusing and deadly slow, with the irritating, gravel-voiced narration by Nicholson failing to supply the proper mood. There are a few arty camera set-ups and good players in the cast (including Meg Tilly, Harvey Keitel, Eli Wallach, and a nice 'bit' by Faye Dunaway), but it fails to intrigue even on a nostalgic level. * from ****
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