Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
"The Facts in the Case of Mr. Valdemar": The gold-digger Jessica Valdemar and her lover Dr. Robert Hoffman plot a scheme to take the money of her old and terminal husband Ernest Valdemar. Robert has hypnotized Valdemar to give his money to Jessica. Out of the blue, Valdemar dies while hypnotized and is stranded between the world of the living and the dead. Robert finds the experience fascinating and Valdemar asks him to take him out of the trance since other spirits are stalking him. However Jessica shots the corpse of Valdemar twice expecting to finish his contact with the world of the living. But soon she learns that Valdemar had been already possessed by evil forces. "The Black Cat": In Pennsylvania, the tabloid photographer Roderick Usher that explores gruesome crime scenes where Detective Legrand is investigating. Rod has been living for four years with his girlfriend Annabel, who is a violinist. When she brings a stray black cat home, Rod immediately hates the animal. Soon Rod ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The "Black Cat" segment contains several other Edgar Allan Poe tales and character names. Two of the crime scenes recorded by Rod Usher are "The Pit and the Pendulum" and "Berenice"; the Tom Savini character in the latter is made up and costumed to look like Poe himself (who wrote "Berenice" in the first person, about a man who opens the tomb of his cousin and removes her teeth). Poe did, in fact, marry his own cousin, who died at the age of twenty-five. Rod's wife's name is Annabel (neé Lee, one supposes); the bartender who returns the cat to him is named Eleonora; and the next-door neighbors are called Pym (first name, no doubt, Arthur Gordon). See more »
I married a rich, old man. I let him use me, for pleasure and for show. Now I'm going to let him pay me for my services.
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Before the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before. See more »
Underrated, a worthy teaming of three horror greats
This teaming of DAWN OF THE DEAD collaborators George Romero and Dario Argento and horror maestro Edgar Allan Poe is one of the most underrated horror movies in recent memory.
TWO EVIL EYES received minimal theatrical distribution in the USA (where most people wouldn't know a good horror movie if they tripped over it), and went practically straight to video, where it didn't do too impressively either. This was undoubtedly due to some scathing reviews that labelled this movie as abysmal, boring and pointless.
I, on the other hand, think TWO EVIL EYES is a great movie. True Romero fans will see the director's brilliance at work in "The Facts in the Case of Mr. Valdemar". Romero steers clear of blood and guts (which is why most "fans" were disappointed by it) and instead creates a macabre atmosphere, and gives the piece the look and feel of an EC or Warren horror comic, complete with campy dialogue and over-the-top performances. Pick up a copy of TALES FROM THE CRYPT or CREEPY and compare it to Romero's segment.
You'll see how perfectly Romero captures the flavor of a bygone era in illustrated horror. When the mesmerized Valdemar wails "Jessica", you can almost see the wavy dialogue bubble appear next to his head. It's as worthy a tribute to such publications as the Romero-Stephen King masterpiece, CREEPSHOW. Romero takes liberties with Poe's story, but keeps the feeling of irony and sardonic wit that makes Poe's work so rich. It's a great little movie from one of the true masters of the genre, though, unfortunately, it's his best work to date since DAY OF THE DEAD.
I may be one of the only defenders of this movie who likes Romero's part better than Argento's. This is because Romero keeps Poe's spirit alive throughout his segment. Argento simply takes one basic story ("The Black Cat"), adding elements from a few other Poe stories (including "Berenice" and "Pit and the Pendulum") and uses them as a clothesline for his own twisted and bizarre nightmare fantasies. There's nothing wrong with that, but I think he fails to capture the feel of Poe, which I thought was the point of the movie (which was his idea). At any rate, it's very good Argento. His camera constantly swoops and creeps along the corridors of the house in which the story takes place, and he creates some genuinely disturbing imagery. He also gets an excellent performance from Harvey Keitel, who brings a cruelty and maliciousness to his character most actors would not dare attempt.
Overall, TWO EVIL EYES is an entertaining movie for horror fans who enjoy more than just blood and guts, and are patient enough to let a story take its time developing. Give it another chance.
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