Earl Bassett, now a washed-up ex-celebrity, is hired by a Mexican oil company to eradicate a Graboid epidemic that's killing more people each day. However, the humans aren't the only one with a new battle plan.
The new sequel finds Burt Gummer, who's dying from Graboid poison, and his son Travis at a remote research station in Canada's Nunavut Territory, where they must go up against a new batch of Graboids to save Burt's life.
Don Michael Paul
Alistair Moulton Black,
Paul du Toit
A small town gradually becomes aware of a strange creature which picks off people one by one. But what is this creature, and where is it? At the same time, a seismologist is working in the area, she detects _tremors_. The creature lives underground, and can 'pop up' without warning. Trapped in their town, the town-folk have no escape.Written by
When Earl and Val are trying to get away from the construction crew site after the road becomes blocked and he gets "hung up" on the rocks you can see the reflection of a man wearing red shorts and a white shirt in the truck's rear window. See more »
The BEST B-movie in the 1985 to 1995 period, if not even longer !
"Tremors is a flawless film" wrote another commentator on this site and he's damn right ! What a movie ! I've missed it in the cinema, because over here in Europe, this maybe played in Vienna in 2 theaters for one week and hardly anybody catched it. But some time later, maybe 1992, 1993 it was shown on TV, some midnight cheapie, I thought, but watching it, it scored bullseye, I was glued to the TV-set.
Have seen it 3 or 4 times since then and it's an amazing joy to see this again and again and again and ...
Why ? First the storyline is simply simple & fantastic & brilliant. The perfect homage to the B-movies (you know, Tarantula et. al.) of the 50ies and 60ies. Even better than they were/are.
Ron Underwood must have seen maybe all these B-flicks, at least most of them, and captured the essential elements of this genre perfectly. There is NOT ONE WRONG SCENE in this, it works, from start to finish, like THE master-thesis for the "giant creatures are trying to kill us"- :-)) genre. If Tarantino would have made this, he would be hailed to the hall of fame for it (where he is anyway, but then again, isn't this one mucho better than Death Proof, e.g.?).
The dialog is extremely casual/leisured/funny, always on the spot. Cleverly photographed, funnily written, without being stupid for just a second.
What makes this so very special is the relationship between these two slackers, Kevin Bacon and Fred Ward. One younger, one slightly older, the chemistry between them is fantastic, the really seem to have spent all their lives together in the backyards of rural America. Their looks, the dialog, their mimic, all unmatched in the last 20, 25 years of US-cinema.
TREMORS was Ron Underwood's first feature and none of his later efforts does come even close to it (actually he made just unmemorable schlock later). But this one picture will get him recognition far beyond his earth-days, I bet ! TREMORS poures love & total respect for the genre from every frame ! I bet Ron Underwood, who was 37 when he directed this masterpiece, must have dreamed of making this movie for a decade or even longer, that's why it is so superbly developed, so perfect, so flawless.
Watch it, love it, watch it again, I bet you will ! :-))
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