A small town gradually becomes aware of a strange creature which picks off people one by one. But what is this creature, and where is it? At the same time, a seismologist is working in the area, she detects _tremors_. The creature lives underground, and can 'pop up' without warning. Trapped in their town, the town-folk have no escape.Written by
Rob Hartill
Burt's elephant gun, an 8-gauge Darne Shotgun, was rented from a private collector for uses in the film. It fired dummy cartridges custom-made from solid brass rod stock. See more »
Goofs
When the guys whip the truck around in a 180 degree turn to
return to the guy on the power pole, you can see the roofs of a housing development on the horizon, as opposed to being in the "middle of nowhere." See more »
DVD version has several deleted scenes. The first scene shows the old farmer running from unseen Graboids after they have killed his horse. Another scene shows Val and Earl in their truck debating talking and driving. The next scene shows Earl trying to calm down the little girl while they are in the bulldozer. The next scene shows the reason why Val went back for Rhonda, his lighter. See more »
"Tremors is a flawless film" wrote another commentator on this site and he's damn right ! What a movie ! I've missed it in the cinema, because over here in Europe, this maybe played in Vienna in 2 theaters for one week and hardly anybody catched it. But some time later, maybe 1992, 1993 it was shown on TV, some midnight cheapie, I thought, but watching it, it scored bullseye, I was glued to the TV-set.
Have seen it 3 or 4 times since then and it's an amazing joy to see this again and again and again and ...
Why ? First the storyline is simply simple & fantastic & brilliant. The perfect homage to the B-movies (you know, Tarantula et. al.) of the 50ies and 60ies. Even better than they were/are.
Ron Underwood must have seen maybe all these B-flicks, at least most of them, and captured the essential elements of this genre perfectly. There is NOT ONE WRONG SCENE in this, it works, from start to finish, like THE master-thesis for the "giant creatures are trying to kill us"- :-)) genre. If Tarantino would have made this, he would be hailed to the hall of fame for it (where he is anyway, but then again, isn't this one mucho better than Death Proof, e.g.?).
The dialog is extremely casual/leisured/funny, always on the spot. Cleverly photographed, funnily written, without being stupid for just a second.
What makes this so very special is the relationship between these two slackers, Kevin Bacon and Fred Ward. One younger, one slightly older, the chemistry between them is fantastic, the really seem to have spent all their lives together in the backyards of rural America. Their looks, the dialog, their mimic, all unmatched in the last 20, 25 years of US-cinema.
TREMORS was Ron Underwood's first feature and none of his later efforts does come even close to it (actually he made just unmemorable schlock later). But this one picture will get him recognition far beyond his earth-days, I bet ! TREMORS poures love & total respect for the genre from every frame ! I bet Ron Underwood, who was 37 when he directed this masterpiece, must have dreamed of making this movie for a decade or even longer, that's why it is so superbly developed, so perfect, so flawless.
Watch it, love it, watch it again, I bet you will ! :-))
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"Tremors is a flawless film" wrote another commentator on this site and he's damn right ! What a movie ! I've missed it in the cinema, because over here in Europe, this maybe played in Vienna in 2 theaters for one week and hardly anybody catched it. But some time later, maybe 1992, 1993 it was shown on TV, some midnight cheapie, I thought, but watching it, it scored bullseye, I was glued to the TV-set.
Have seen it 3 or 4 times since then and it's an amazing joy to see this again and again and again and ...
Why ? First the storyline is simply simple & fantastic & brilliant. The perfect homage to the B-movies (you know, Tarantula et. al.) of the 50ies and 60ies. Even better than they were/are.
Ron Underwood must have seen maybe all these B-flicks, at least most of them, and captured the essential elements of this genre perfectly. There is NOT ONE WRONG SCENE in this, it works, from start to finish, like THE master-thesis for the "giant creatures are trying to kill us"- :-)) genre. If Tarantino would have made this, he would be hailed to the hall of fame for it (where he is anyway, but then again, isn't this one mucho better than Death Proof, e.g.?).
The dialog is extremely casual/leisured/funny, always on the spot. Cleverly photographed, funnily written, without being stupid for just a second.
What makes this so very special is the relationship between these two slackers, Kevin Bacon and Fred Ward. One younger, one slightly older, the chemistry between them is fantastic, the really seem to have spent all their lives together in the backyards of rural America. Their looks, the dialog, their mimic, all unmatched in the last 20, 25 years of US-cinema.
TREMORS was Ron Underwood's first feature and none of his later efforts does come even close to it (actually he made just unmemorable schlock later). But this one picture will get him recognition far beyond his earth-days, I bet ! TREMORS poures love & total respect for the genre from every frame ! I bet Ron Underwood, who was 37 when he directed this masterpiece, must have dreamed of making this movie for a decade or even longer, that's why it is so superbly developed, so perfect, so flawless.
Watch it, love it, watch it again, I bet you will ! :-))