An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.
This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry also rekindles an old flame with Jackie's sister Kathleen. Soon, however, Terry is torn between his loyalty to his friends and his loyalties to others.Written by
Josh Pasnak <email@example.com>
The word "fuck" and its variations are used 210 times in the film, which averages out to be approximately 1.6 times every minute. See more »
Early in the film when Jackie introduces Terry to Irene in the bar, Terry has already ordered and is drinking a Guinness. A short time later, after Jackie and Irene leave, there is a slow motion shot in which Terry is now drinking what appears to be hard liquor from a rocks glass. See more »
.....up to and maybe including walk on water? Oldman is so utterly and completely Jackie Flannery in this film, you might be tempted to dismiss his performance as 'playing to type'. Until you see this inspired chameleon's other work, where he IS Lee Harvey Oswald or TRUE ROMANCE's Drexl or Joe Orton or - tell you what, YOU pick the role. Oldman inhales, and the character he's portraying exhales. (And this is not to shortshrift the incredible work offered by Penn, Harris, Wright, Reilly and the rest of this film's ensemble.) It's disgraceful that Hollywood can't think of anything better to do with this brilliant and courageous actor these days than 'villain roles' in big-budget comic books like LOST IN SPACE, but when he's working with material commensurate to his skill, he's without peer. When an actor pushes himself like this, takes risks like this, you become aware that there can be no nobler profession. Gary Oldman may not be 'box office', and now and then he may even crash and burn...but when he flies, he soars higher than any performer presently working. For Pete's sake, see this movie and everything else he's done.
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