The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the... See full summary »
The American artist couple Port and Kit Moresby travels aimless through Africa, searching for new experiences that could give new sense to their relationship. But the flight to distant regions leads both only deeper into despair.Written by
Thomas Manhardt <Thomas.Manhardt@wu-wien.ac.at>
Paul Bowles: Uncredited, the film's source novelist as a man at a café. Show-business trade-paper 'Variety' said of this: "In a marvelous directorial conceit [by Bernardo Bertolucci], Bowles himself, 80 years old, watches his characters from a seat in a Tangiers café". According to Bowles official website, Bowles makes "appearances" in this movie. Bowles is also credited in the film's billing heard in the movie as the picture's narrator. See more »
There is a moment when Port is with Kit in her room, she is sitting and he is caressing her belly. A good deal of pubic hair is notoriously visible, but immediately follows a closer shot in which she is completely covered. See more »
Well, terra firma.
We're probably the first tourists they've had since the war.
Tunner, we're not tourists. We're travelers.
Oh. What's the difference?
A tourist is someone who thinks about going home the moment they arrive, Tunner.
Whereas a traveler might not come back at all.
You mean *I'm* a tourist.
Yes, Tunner. And I'm half and half.
See more »
It's hard to understand why this film doesn't get better reviews. Yes of course it's a reflective arty film where evoking feelings is more important than narrative drive. The amount of nudity, though in keeping with the story, does perhaps hinder its being taken seriously by some.
Surely though it succeeds as well as any film has in painting a cinematic picture of the experience of being a stranger in a strange land? The cultural barriers, dissonances, language, the maze of similar streets - everything comes together to create the feeling of utter helplessness Kit experiences when she tries to get help for the ill Port. The confusing weird relationships, often only partially depicted in the film heighten the sense of being adrift in life.
Together with some of the best ever desert cinematography rivaling even Lawrence of Arabia, North African music, noises, characters and colors this film is a rich feast for the senses indeed. And what a wonderful final voice-over, one of the most deep and thought-provoking lines in all the movies.
66 of 88 people found this review helpful.
Was this review helpful to you?
| Report this