The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the... See full summary »
Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present,
The American artist couple Port and Kit Moresby travels aimless through Africa, searching for new experiences that could give new sense to their relationship. But the flight to distant regions leads both only deeper into despair.Written by
Thomas Manhardt <Thomas.Manhardt@wu-wien.ac.at>
The picture's source novel of the same name by Paul Bowles was selected by 'Time' magazine for inclusion in its Top "100 Best English-Language Novels from 1923 to 2005" list. See more »
The crew is reflected in the bus window before Port bites his tongue. See more »
Well, terra firma.
We're probably the first tourists they've had since the war.
Tunner, we're not tourists. We're travelers.
Oh. What's the difference?
A tourist is someone who thinks about going home the moment they arrive, Tunner.
Whereas a traveler might not come back at all.
You mean *I'm* a tourist.
Yes, Tunner. And I'm half and half.
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This is one of my all time favorite movies. But... and this is a major but... at least part of my appreciation stems from the fact that I watched it several times and that I've also read the book (by Paul Bowles) two or three times. So both works of art (since the book is most definitely a work of great art) tend to blend together in my mind.
I started by watching the movie though, without any previous knowledge on the novel, nor on Paul Bowles. I was impressed by the powerful imagery (theater! not dvd) and chilled by psychological the harshness of the plot. I was charmed the first time I saw the film but I fell in love when I saw it a second time, which was after I'd read the novel. Maybe this means that the film doesn't 'make it on its own', but to me that's not a problem. And if you are, like me, gripped by the movie I can really recommend the novel for more 'in depth' .
Some people here seem to think that there's no plot or just a very thin one. I disagree. It's not directly on the surface though. You'll have to concentrate and pay attention to dig it up. If you don't like that or feel that a movie should just willingly present itself to you, than this is not your movie.
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