Rosencrantz & Guildenstern Are Dead (1990)

Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.

Director:

Tom Stoppard

Writer:

Tom Stoppard

Stars:

Gary Oldman, Tim Roth, Richard Dreyfuss

3 wins & 2 nominations.

Cast

Cast overview, first billed only:
Gary Oldman	...	Rosencrantz
Tim Roth	...	Guildenstern
Richard Dreyfuss	...	The Player
Livio Badurina	...	Tragedian
Tomislav Maretic	...	Tragedian
Mare Mlacnik	...	Tragedian
Serge Soric	...	Tragedian (as Srdjan Soric)
Mladen Vasary	...	Tragedian
Zeljko Vukmirica	...	Tragedian
Branko Zavrsan	...	Tragedian
Joanna Roth	...	Ophelia
Iain Glen	...	Hamlet
Donald Sumpter	...	Claudius
Joanna Miles	...	Gertrude
Ljubo Zecevic	...	Osric

Storyline

Showing events from the point of view of two minor characters from Hamlet, men who have no control over their destiny, this film examines fate and asks if we can ever really know what's going on? Are answers as important as the questions? Will Rosencrantz and Guildenstern (or Guildenstern and Rosencrantz) manage to discover the source of Hamlet's malaise as requested by the new king? Will the mysterious players who are strolling around the castle reveal the secrets they evidently know? And whose serve is it?

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Plot Keywords:

destiny | dialogue driven | title based on shakespeare | shakespeare's hamlet | based on play | 

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Genres:

Comedy | Drama

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Certificate:

PG

Details

Country:

UK USA

Language:

English

Release Date:

8 February 1991 (USA)

Also Known As:

Eles Morreram

Filming Locations:

Slovenia

Box Office

Gross USA:

$739,104

Company Credits

Production Co:

Brandenberg,WNET Channel 13 New York

Technical Specs

Runtime:

117 min

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This movie is based on the original Broadway production of "Rosencrantz and Guildenstern Are Dead" by Tom Stoppard and opened on October 9, 1967 at the Alvin Theater, ran for 420 performances and won the 1968 Tony Award for Best Play.

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Goofs

Throughout the movie there are scenes where day suddenly changes to night and vice versa. This is a running gag of Tom Stoppard plays which often have "time jumps" written into the stage directions.

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Quotes

[first lines]
[Rosencrantz and Guildenstern are riding horses down a path - they pause]
Rosencrantz: [to Guildenstern] Umm, uh...
[Guildenstern rides away, and Rosencrantz follows. Rosencrantz spots a gold coin on the ground]
Rosencrantz: [to horse] Whoa - whoa, whoa.
[Gets off horse and starts flipping the coin]
Rosencrantz: Hmmm. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads.
[Guildenstern grabs the coin, checks both sides, then tosses it back to Rosencrantz]
Rosencrantz: ...
[...]

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Connections

Referenced in Frasier: Roz's Krantz & Gouldenstein Are Dead (1997)

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Soundtracks

Seamus
Performed by Pink Floyd
Courtesy of EMI Records UK Ltd.

User Reviews

Rosencrantz and Guildenstern, victims of circumstance...

Rosencrantz and Guildenstern Are Dead was one of my favourite films whilst growing up. The movie follows two irrelevant characters (irrelevant in that although they served a significant purpose, their characters were not developed in any depth... Rosencrantz and Guildenstern, as individuals, were relatively unimportant) through one of the most renowned stories ever told (Hamlet). It is a film about two characters that are completely unaware of the magnitude of the events taking place around them. This carries on throughout the entire film, and is also evidenced in their accidental discoveries of significant historical scientific findings (such as the steam engine or the concept of gravity). The characters stumble their way through the film, unaware of the consequences to their actions or their significance or importance.

The characters spend the entire film coming to terms with their existence. Shakespeare didn't provide any detailed character development of either Rosencrantz or Guildenstern, and as such, they are left confused as to the purpose of their own existence.

The film also looks at the concept of a predetermined destiny. Rosencrantz and Guildenstern's fate is already determined before the film begins. And although they play an important role in one of the greatest stories ever told, they are completely unaware of their destiny; they are merely victims of circumstance.

I should also note that the constant banter between the two characters (specifically in their 'Game of Questions') is pure quality.