7.5/10
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130 user 37 critic

Rosencrantz & Guildenstern Are Dead (1990)

PG | | Comedy, Drama | 8 February 1991 (USA)
Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.

Director:

Tom Stoppard

Writer:

Tom Stoppard
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Cast

Cast overview, first billed only:
Gary Oldman ... Rosencrantz
Tim Roth ... Guildenstern
Richard Dreyfuss ... The Player
Livio Badurina Livio Badurina ... Tragedian
Tomislav Maretic Tomislav Maretic ... Tragedian
Mare Mlacnik Mare Mlacnik ... Tragedian
Serge Soric Serge Soric ... Tragedian (as Srdjan Soric)
Mladen Vasary Mladen Vasary ... Tragedian
Zeljko Vukmirica Zeljko Vukmirica ... Tragedian
Branko Zavrsan Branko Zavrsan ... Tragedian
Joanna Roth Joanna Roth ... Ophelia
Iain Glen ... Hamlet
Donald Sumpter ... Claudius
Joanna Miles ... Gertrude
Ljubo Zecevic Ljubo Zecevic ... Osric
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Storyline

Showing events from the point of view of two minor characters from Hamlet, men who have no control over their destiny, this film examines fate and asks if we can ever really know what's going on? Are answers as important as the questions? Will Rosencrantz and Guildenstern (or Guildenstern and Rosencrantz) manage to discover the source of Hamlet's malaise as requested by the new king? Will the mysterious players who are strolling around the castle reveal the secrets they evidently know? And whose serve is it? Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

8 February 1991 (USA) See more »

Also Known As:

Eles Morreram See more »

Filming Locations:

Slovenia See more »

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Box Office

Gross USA:

$739,104
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The opening song at the beginning of the movie is Pink Floyd's "Seamus" (Meddle, 1971). The version included in the movie is an instrumental version. The album version has vocals. During the theatre company's performance of pseudo-Hamlet, a sound bit from Pink Floyd's "Echoes" (also from Meddle, 1971) can be heard. The sound of the rapier sword is the first note heard in "Echoes". See more »

Goofs

Throughout the movie there are scenes where day suddenly changes to night and vice versa. This is a running gag of Tom Stoppard plays which often have "time jumps" written into the stage directions. See more »

Quotes

[first lines]
[Rosencrantz and Guildenstern are riding horses down a path - they pause]
Rosencrantz: [to Guildenstern] Umm, uh...
[Guildenstern rides away, and Rosencrantz follows. Rosencrantz spots a gold coin on the ground]
Rosencrantz: [to horse] Whoa - whoa, whoa.
[Gets off horse and starts flipping the coin]
Rosencrantz: Hmmm. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads.
[Guildenstern grabs the coin, checks both sides, then tosses it back to Rosencrantz]
Rosencrantz: ...
[...]
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Connections

Featured in Changing Stages (2000) See more »

Soundtracks

Echoes
(uncredited)
Performed by Pink Floyd
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User Reviews

plot within a plot within a plot...
26 August 2004 | by grlwndr23See all my reviews

This clever screenplay by Tom Stoppard challenges the viewer to listen and watch closely as the Shakespeare tragedy Hamlet is turned on its ear via taking the perspective of the oblivious rhetorics, Rosencrantz and Guildenstern. There are multiple 'plot within plot' twists which intersect and skew at will, sometimes creating a surreal experience for the observer. The script is brilliant, full of double-entendres and mixed reactions executed superbly by Tim Roth and Gary Oldman, along with a solid supporting cast (including American actor Richard Dreyfus). Stoppard felt that the title characters, messengers in the original play, were under represented and so examines their possible perspectives in the tale by way of exploring their destiny and their lack-of-awareness of it. Stunning and hilarious wordplay with excellent repartee between Oldman and Roth. Refreshing and creative spin of the tale of Denmark's 'melancholy prince'.


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