In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the Robocop 2 project, a living God.Written by
Aldo Della Rocca
The tiny "container" that held the drug Nuke was actually a saline re-moisturizer for contact lens wearers in the late 1980s and early 1990s. The solution was dyed red and, in some shots, had a small needle sticking out after someone removes the covering. See more »
When Robocop 2 extends his arm to hit Robocop, it is obvious that the extension is a forced perspective trick as the arm becomes at least four times longer to get out of frame. Robocop is subsequently knocked into a wall that previously did not exist, as Robo was standing in front of an open hall. See more »
MagnaVolt - the final word in auto security. No embarrassing alarm noise, no need to trouble the police... and it won't even run down your battery!
MagnaVolt! Lethal Response!
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There are no opening credits to the film. Following the Orion logo, the movie launches straight into the Magnavolt commercial, part of one of the spoof Mediabreak news bulletins. See more »
There was no way this was ever going to be as good as Robocop but they could have done so much better. What's really missing is Basil Poledouris' wonderful fanfare theme tune. In its place we are giving some appalling brass'n'percussion with a chorus singing a ridiculous 'Robocop' theme on top. It's amazing how much music can change a film, and really, a decent score would have improved the film immensely.
Also, Rob Bottin's ultra-violent effects were sadly missed. The film is full of violence but it's mainly of the long-range bullets-hit-bad-guys type: the only thing close to the original's over-the-top nature was the brain removal and the stomach-slicing.
Phil Tippett is on hand, luckily, to deliver some entertaining stop-motion action scenes which really liven up the final scenes of carnage.
Sadly, the bad guys never come across as meanly as Clarence Boddicker did in the first, OCP seem unnecessarily annoying and the little kid is just annoying. It's not a TERRIBLE film but we really could have expected more from the man who brought us 'The Empire Strikes Back'.
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