In a Chilean little town, the son of an uprooted couple, formed by a rigorous communist father and a loving but weak mother, tries to pave his own path in a society that does not understand their Jewish-Ukrainian origins.
A former circus artist escapes from a mental hospital to rejoin his armless mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name as he becomes "her arms".
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
This is a film which has immediate respect as a Europena art house film. Often this hides flaws which can be disastrous. This is not the case here. Peter O Toole is in it. Even at his worst laziest over the top performances he is still watchable. Some may call Alexandro Jodorowsky's piece sentimental and self indulgent. Indeed in its attempt to fulfill magical realism there are some oddities parading through this. The use of a circus as a parable for Christ's compassion and attempt to help an insane world is used for an excuse for indigence and longueurs. The rainbow girls are all very pretty models and I already knew about them from painting of Kirsten Imrie, Rachel Garley an Bridgette Barclay by th e actor Stephen Armourae who promoted this film because of its abstract arty script and the use of Tarot,as he is also a psychic. Alexandro Jodorowsky attempts here again to use imagery and animals to convey a message, this makes it memorable if somewhat obscure. The trouble is the people who need to receive his message are not going to have the patience for a Europena art house film with all its obliqueness.
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