During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone who must continue her battle against the aliens. Along with a crew of space pirates, Ripley must also prevent the deadly aliens from reaching Earth.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
LAPD lieutenant Mike Harrigan (Danny Glover) and his cocky detective partner Jerry Lambert (Bill Paxton) soon realize that what seemed a bloody feud between voodoo high priest King Willie's (Calvin Lockhart) Jamaican gangs and Ramon Vega's (Corey Rand) Colombian drug gang is actually the work of a scary third party. Peter Keyes's (Gary Busey) federal team shields the crime scene even for the LAPD, but after forensics proves it must be an alien, who keeps making victims, the chase brings them all together.Written by
The shotgun, with which Mike Harrigan shoots the Predator, at the end in the slaughterhouse, is a Benelli M1 Super 90 "Entry". See more »
When Harrigan visits Danny's grave, he lays Danny's detective shield from the police dept on Danny's grave and walks away, kind of as a tribute. There is no way any police officer or detective would ever do that. To leave a genuine detective shield on a grave in public for anyone to come along and later steal, would give a civilian, or worse, a criminal civilian a real police badge to perhaps use to commit crimes with posing as a detective in the future. See more »
As drought-ridden Los Angeles swelters in agonizing heat, drug lords wage bloody warfare in the streets. Yet another open conflict... Oh, fuck this, get me out of here!
See more »
When the Elder Predator throws Harrigan the flintlock pistol he says "Take it". Harrigan reads the inscription "1715" ... the subtitles on the DVD regard the Predator as 'mumbles incoherently' but the Predator, being from a society based on trophies and the hunt, just witnessed Harrigan make a kill and not take a trophy. He is calling Harrigan a "heathen" See more »
HYPOCRITES (DEM HAFFI LEAVE)
Written by Papa Dee and The Falcon
Produced by Christian "The Falcon" Falk
Co-Produced by Papa Dee and Bankrash
Performed by Papa Dee
Courtesy of Telegram Records AB & BMG Music International See more »
I've always loved this movie ever since I saw it way back in 1990 at the theater. Predator is great, but part 2 is equally great. It may not be quite as primal and fast paced, but it more than makes up for it with well developed characters, a more detailed back story and compelling setting, and a deeply developed story. If the predator wasn't in this movie, the story set up would make for a great movie on its own.
You may not realize it when you're watching it, but the climax of this movie is nearly 45 minutes long! Starting from the subway shoot out, the tunnel chase, the street-roof chase, the slaughter house fight, the roof top fight that spills into the apartment building across the street, the elevator shaft, and finally to the Predator ship itself. It is a breathless series of action sequences strung together so well that it's almost astonishing to look back on it and imagine such effort was crafted to make this movie.
This movie would never be made today. A sequel without the main character from the fist movie? A whole new setting? This would be seen as too great a risk, but in 1990 movie studios were still run by creative people, not accountants. This movie is a true, unsung classic of sci-fi, coming from an age when great care was put into genre movies that had strong stories, good characters, and dialogue that didn't sound silly and forced. Lines weren't meant to become one-liners, they were just so memorable that they ended up that way.
"You can't see the eyes of the demon, until him come calling." "Okay P-ssy face, it's your move." "Danny Boy."
And of course...
"Want some candy?"
Granted, those aren't as good as the classics from the first Predator, like:
"You son of a bitch!" "I ain't got time to bleed." "Knock Knock." "Stick around." "If it bleeds, we can kill it." "You are one ugly mother f---er."
Last but not least, the music score from Predator 2 is one of the best ever. Alan Silvestri hasn't topped his work from this movie which has to have one of the most complex, layered, and just flat out astounding main themes ever composed for an action movie, or any movie.
And of course, it had the cameo that sparked the whole Alien vs Predator phenomenon. If it weren't for Predator 2, god knows where we'd be.
160 of 210 people found this review helpful.
Was this review helpful to you?
| Report this