During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
LAPD lieutenant Mike Harrigan (Danny Glover) and his cocky detective partner Jerry Lambert (Bill Paxton) soon realize that what seemed a bloody feud between voodoo high priest King Willie's (Calvin Lockhart) Jamaican gangs and Ramon Vega's (Corey Rand) Colombian drug gang is actually the work of a scary third party. Peter Keyes's (Gary Busey) federal team shields the crime scene even for the LAPD, but after forensics proves it must be an alien, who keeps making victims, the chase brings them all together.Written by
In a backstory explaining Dutch's (the hero of the first film) absence from the sequel, Keyes had learned of Dutch's encounter with the Predator and tracked him down to a hospital. Dutch was being treated for radiation sickness, thought to be a result of exposure to the Predator's self-destruct device. After hearing Dutch's account of events, Keyes and the O.W.L.F. team were sent to the jungle to investigate, and studied the site where the Predator detonated the device. They found evidence of a spaceship launch in the jungle, and the deceased Predator's ship had automatically returned to the Predator home world. Dutch later escaped from the hospital and vanished, and Keyes believed he was still alive. See more »
DEA's agents control room appears to be equipped with an Ampex model 4100 vision switcher and an Ampex VPR-3 videotape recorder, these may be used for camera switching or video recording purposes, not for computer-programming. See more »
As drought-ridden Los Angeles swelters in agonizing heat, drug lords wage bloody warfare in the streets. Yet another open conflict... Oh, fuck this, get me out of here!
See more »
When the Elder Predator throws Harrigan the flintlock pistol he says "Take it". Harrigan reads the inscription "1715" ... the subtitles on the DVD regard the Predator as 'mumbles incoherently' but the Predator, being from a society based on trophies and the hunt, just witnessed Harrigan make a kill and not take a trophy. He is calling Harrigan a "heathen" See more »
On initial OFLC classification in Australia, the film received an R rating. In order to bring the rating down to M, several scenes were cut for violence/language. The following scenes have now been re-instated for the R rated 2001 DVD release:
Bullet hits are no longer hidden with white flashes during the opening shootout
Two of the gang members at the start of the film sniff some cocaine while loading up their weaponry
In Harrigan's conversation with one of his superiors, he uses the words: "Cutting off my dick and shoving it up my ass"
The shot of the sacrificial knife entering Ramon Vega's stomach
Another shot of the character who is "netted" to the wall, this time being sprayed with gunfire from his friends
Another gang member is impaled on the Predator's wrist blade and lifted into the air
Keyes' death is now fully restored
Jerry is startled by a skinned body hanging from the roof
HYPOCRITES (DEM HAFFI LEAVE)
Written by Papa Dee and The Falcon
Produced by Christian "The Falcon" Falk
Co-Produced by Papa Dee and Bankrash
Performed by Papa Dee
Courtesy of Telegram Records AB & BMG Music International See more »
I've always loved this movie ever since I saw it way back in 1990 at the theater. Predator is great, but part 2 is equally great. It may not be quite as primal and fast paced, but it more than makes up for it with well developed characters, a more detailed back story and compelling setting, and a deeply developed story. If the predator wasn't in this movie, the story set up would make for a great movie on its own.
You may not realize it when you're watching it, but the climax of this movie is nearly 45 minutes long! Starting from the subway shoot out, the tunnel chase, the street-roof chase, the slaughter house fight, the roof top fight that spills into the apartment building across the street, the elevator shaft, and finally to the Predator ship itself. It is a breathless series of action sequences strung together so well that it's almost astonishing to look back on it and imagine such effort was crafted to make this movie.
This movie would never be made today. A sequel without the main character from the fist movie? A whole new setting? This would be seen as too great a risk, but in 1990 movie studios were still run by creative people, not accountants. This movie is a true, unsung classic of sci-fi, coming from an age when great care was put into genre movies that had strong stories, good characters, and dialogue that didn't sound silly and forced. Lines weren't meant to become one-liners, they were just so memorable that they ended up that way.
"You can't see the eyes of the demon, until him come calling." "Okay P-ssy face, it's your move." "Danny Boy."
And of course...
"Want some candy?"
Granted, those aren't as good as the classics from the first Predator, like:
"You son of a bitch!" "I ain't got time to bleed." "Knock Knock." "Stick around." "If it bleeds, we can kill it." "You are one ugly mother f---er."
Last but not least, the music score from Predator 2 is one of the best ever. Alan Silvestri hasn't topped his work from this movie which has to have one of the most complex, layered, and just flat out astounding main themes ever composed for an action movie, or any movie.
And of course, it had the cameo that sparked the whole Alien vs Predator phenomenon. If it weren't for Predator 2, god knows where we'd be.
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