During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
J. Trevor Edmond
When high class hooker Nicole is kidnapped from her brothel, Rich businessman Hugo Motherskille hires her ex love Roy Bain to find her. Investigating the disappearance, he eventually finds ... See full summary »
An American TV-journalist is interested in the trail of some strange mystery embedded in a mountainous region of the USA. After much red tape, he is allowed to enter the area. A sullen ... See full summary »
A comedy TV series. Fitz & Slade are the lead investigators of a special anti-crime unit that handles the bizarre and dangerous. In this "anything goes" world, both cops and criminals play fast and loose with the rules of society.
Ireland will never be the same after Rawhead Rex, a particularly nasty demon, is released from his underground prison by an unwitting farmer. The film follows Rex's cross country rampage, while a man struggles to stop it.
The long-time entertainment of the company of scumbags is that they kidnap people and take them to the forest, where they release and begin to hunt them. However, they do not suspect that ... See full summary »
A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker.Written by
Keith Loh <firstname.lastname@example.org>
20th Century Fox drastically cut this film at the last minute prior to its theatrical release, omitting most of the more graphic violence and completely deleting rock singer Suzi Quatro's role from the final print. Moreover, the movie was misleadingly advertised as just another standard slasher feature. See more »
When Decker and Lori meet in Midian, Decker takes off his mask. Before chasing Lori he puts the mask back on, with the mask's long neck flaps now hanging over his collar and necktie. But in the next shot, the neck flaps are neatly tucked underneath his tight shirt collar again. See more »
Director's Cut: The missing Nightbreed footage, long thought lost, was discovered by Scream Factory and Mark Miller in 2014. Using original film elements and audio sourced from the VHS tapes found in Barker's home, Barker, Miller, editor Andrew Furtado restored the film to its original vision. See more »
This film is possibly one of the most original horror flicks to have ever come out of the 20th century. I probably can relate to this film a lot more than some people. Releasing a game on most formats in 1990, I had the storyline up to my eyeballs and the expectation of seeing the film was huge. When I was sixteen I managed to get someone to rent the video out for me (it received an `18' certificate). After watching once, I was slightly disappointed. Then, I watched it again.
This film has a deep, deep meaning. Clive Barker is an absolute genius. The storyline and plot are truly wonderful, on pace all the time, never letting up for a minute. There are plenty of standout scenes and memorable one-liners. Monsters are usually portrayed as evil, the bad. Here they want to live in secret, the humans are the ones that envy their purity and decide to invade the Night Breed's home underneath a cemetery. This myth has gone around for years, the Night Breed, the undead where the pain of real life goes away. And tied in the plot is Doctor Decker (aka The Mask), a serial killer who convinces his patient (Boone) that he has committed a series of brutal murders, and he must hand himself into the police.
Arguably some of the scenes are a little silly, there is a hint of black-comedy in there which seems unnecessary in some scenes. However, the cemetery itself is the most beautiful looking things you will ever see in film, it's exotic, stylish, full of strange statues and buildings.
Best scene in the film goes to Peloquin with desires to eat Boone. This is one that stays in my heart as one of the most powerful scenes in horror movie history, with some stunning acting and some great make-up. You can't help laughing when this monster spouts: `F*** the law, I want MEAT!' Other memorable scenes include the psychiatric patient who ends up ripping his own face off to prove he is worthy of the Breed. The wonder of this scene is Barker's hint of tongue-in-cheek.
As for the gore factor, it is pretty high, but I still believe Hellraiser and it's sequels are twice as gory as this. Definitely a film for Barker films to see. But not one to watch for a casual night in with a pizza and a few beers.
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