Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
A remake of George Romero's 1968 black-and-white classic that begins in a cemetery, as the recently-dead return to life - from an unknown cause - and attack the living as their prey. One woman escapes the frightening zombies to take refuge with others in a farmhouse, as every cadaver for miles around hungers for their flesh. Will they make it through the night...that the dead came back to life?Written by
Savini said that he wanted to keep the film "artistic", despite his reputation as, "The King of Splatter". See more »
In one scene, it shows 3 zombies abreast moving toward the camera. Two of them are moving in the typical zombie manner - slowly and mechanically. The third zombie (on the right) is moving much faster than the others. The scene cuts briefly to another scene then it cuts back to the 3 zombies. The one on the right is now moving much slower like the others. When the camera first cut from that scene, the director undoubtedly chastised the third actor zombie and told him to slow down before doing another take. See more »
They're coming to get you, Barbara!
They don't like being awaken this way!
Why do you have to be so mean?
'Cause I'm your older brother. Being mean and heartless is part of the job.
See more »
Bill Moseley's name is misspelled during the credits. See more »
There are at least two known versions of the end credits montage: one in black and white, the other in black and orange. See more »
The dead come back to eat the flesh of the living. A small group of people are holed up in a farmhouse. They have to fight the dead from getting in...and each other.
There was no reason (that I can see) to remake the 1968 classic "Night..." but George Romero (director and co-writer of the original) wanted it. He scripted it and got makeup artist Tom Savini to direct. The results are OK. It could have been a disaster but wasn't. It's not a scene by scene remake but it does have some of the original dialogue. Still it makes some pretty extreme changes.
Barbara in the first movie was little more than a basket case. Here she is strong and intelligent and can hold her own. It's never really explained how she became such a crack shot though. Tony Todd is a good actor--but not here. He has the unenviable job of playing the part that Duane Jones played so well in the original. He is good...but not enough. The other actors are all pretty OK--the same as the originals were.
There are some cute visual and verbal references to the first film and the gore has been upped drastically (though not as much as it could have been). There is also an eerie and very effective music score throughout the movie. I found this a little slow but that's because I've seen the first multiple times in the past. And this one tacks on a screamingly obvious "ironic" finale.
It's OK--but the original is still the best. I give it a 7.
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