Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
A remake of George Romero's 1968 black-and-white classic that begins in a cemetery, as the recently-dead return to life - from an unknown cause - and attack the living as their prey. One woman escapes the frightening zombies to take refuge with others in a farmhouse, as every cadaver for miles around hungers for their flesh. Will they make it through the night...that the dead came back to life?Written by
When Barbara is loading the Henry lever action rifle, she is loading the cartridges bullet first. This would lead to a malfunction in the rifle, as the bullet end must be facing toward the muzzle for the cartridges to properly feed from the magazine tube into the chamber. See more »
They're coming to get you, Barbara!
They don't like being awaken this way!
Why do you have to be so mean?
'Cause I'm your older brother. Being mean and heartless is part of the job.
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Bill Moseley's name is misspelled during the credits. See more »
The first cut of the film was given an "X" rating by the MPAA. Several cuts were made to ensure an R rating: mostly head shots to zombies, and a shot of a zombie exploding (when Tom shoots it from the back of the truck with a shotgun). See more »
"This is pure hell on earth." Actually, what Tony Todd meant to say was "This is one hell of a movie." Tom Savini and George A. Romero have succeeded in recreated a classic (which is quite hard to do). Night of the Living Dead '90 is faithful to the original, but still manages to scare and surprise you by throwing in a few unexpected twists. Director Savini creates a great atmosphere. This is one of my favorite claustrophobic films. It has the feel of an old, secluded farmhouse, and thankfully lacks that Hollywood gloss. The characters feel real as well. The cast is perfect. Tony Todd, William Butler, and Tom Towles are the re-incarnations of the original Ben, Tommy, and Harry Cooper. And longtime Romero collaborator, Patricia Tallman, revamps her character Barbara for the nineties. And you gotta love Bill Moseley ("They're coming to get you Barbara. They're horny Barbara."). All of the classic elements (the feud between Ben and Cooper, the claustrophobia) and a few new ones (a smarter female lead, new ending) make this one unforgettable.
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