There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
A remake of George Romero's 1968 black-and-white classic that begins in a cemetery, as the recently-dead return to life - from an unknown cause - and attack the living as their prey. One woman escapes the frightening zombies to take refuge with others in a farmhouse, as every cadaver for miles around hungers for their flesh. Will they make it through the night...that the dead came back to life?Written by
Tom Savini originally wanted to start the film in black-and-white, then slowly add color. See more »
When the zombies are eating the remains of some people outside the house, one of them picks up a hand which is obviously made of rubber. See more »
They're coming to get you, Barbara!
They don't like being awaken this way!
Why do you have to be so mean?
'Cause I'm your older brother. Being mean and heartless is part of the job.
See more »
Bill Moseley's name is misspelled during the credits. See more »
There are at least two known versions of the end credits montage: one in black and white, the other in black and orange. See more »
Much better than I expected, but the original is still the best.
I'm always wary of remakes of horror and science fiction classics as they are almost always inferior to the original versions, in many cases REALLY inferior. There have been a few successful and worthwhile attempts, especially John Carpenter's 'The Thing' and David Cronenberg's spin on 'The Fly'. Tom Savini's 'Night Of The Living Dead' is another good one. Even though Savini is a legend in the special effects world I really expected this to be awful. It wasn't. While not as literal as the misguided 'Psycho' remake by Gus Van Zant, Savini sticks very close to the source material, and doesn't mess with it as much as Carpenter or Cronenberg did. George Romero scripted, adapting his original screenplay co-written with John A. Russo, and both men co-produce. The main difference in this version, apart from obvious ones like being filmed in colour and with some more sophisticated special effects, is the expansion of the Barbara character, who is much less passive and more important to the plot. Barbara is played by Patricia Tallman who worked with Savini on Romero's cult favourite 'Knightriders'. She is probably best known for her recurring role on 'Babylon 5'. Tony Todd ('Candyman') plays Ben, and is very good, and the underrated Tom Towles ('Henry:Portrait Of a Serial Killer') is excellent as the slimy Harry Cooper. The scenes between the two are really strong, and add a lot to the original. I also enjoyed seeing Bill Mosley (Chop Top from 'Texas Chainsaw Massacre 2') playing Barbara's brother Johnny in the opening sequence. My only real gripe about the movie is the surprising lack of gore, and also the new ending which to me is nowhere near as good as the original. Apart from that it is much better than I expected, and I highly recommended it to anyone who enjoys Romero's "Dead" trilogy.
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