A student known for telling stories witnesses a murder, the latest in a series of satanic killings of hookers.
Director:
Writer:
Photos and Videos
Cast verified as complete
| Kathleen Bailey | ... |
Dolan
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Jovanni Brascia | ... |
Tony
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| Brooke Bundy | ... |
Mrs. Colton
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Ann Dane | ... |
Theresa
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| Scott Fults | ... |
Sam Loomis
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| Allen Garfield | ... |
Zachary Willard
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| Henry Gibson | ... |
Jake
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| Elliott Gould | ... |
Ronald 'Ron' Devereaux
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Bruce Kimmel | ... |
Townsend
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Nancy McLendon | ... |
Reporter
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| Michael J. Pollard | ... |
Stanley Willard
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| Michael Jason Rosen | ... |
Bernstein
(as Michael Rosen)
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| Richard Roundtree | ... |
Captain Crane
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| Derek Rydall | ... |
Billy Colton
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| Alain Silver | ... |
Thornhill
(as Alain Joel Silver)
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| Shannon Tweed | ... |
Lisa Grace
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| Teresa Van der Woude | ... |
Kelly Fremont
(as Teresa Vander Woude)
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| Teri Weigel | ... |
Victim in Cellar
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Kathryn Kimler | ... |
Second Victim
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| Rest of cast listed alphabetically: | |||
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Dee Dee Avery | ... |
Student (uncredited)
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Directed by
| Rupert Hitzig | ||
Written by
| Randal Viscovich | ... | (written by) |
Produced by
| Richard W. Abramites | ... | associate producer |
| Tom Broadbridge | ... | executive producer |
| Shelley E. Reid | ... | executive producer |
| Alain Silver | ... | producer |
| Randal Viscovich | ... | associate producer |
Music by
| Parmer Fuller | ||
Cinematography by
| Peter Jensen | ||
Editing by
| Glenn Erickson | ||
Editorial Department
| Blake Fendrich | ... | color timer |
Casting By
| Debra Neathery | ||
Production Design by
| Jon Rothschild | ||
Art Direction by
| Gyongyver Sovago | ||
Set Decoration by
| Susan Cordova | ||
Costume Design by
| Elisabeth Scott | ||
Makeup Department
| Marie-Gabrielle Clark | ... | makeup artist |
| Audrey Futterman-Stern | ... | hair department head (as Audree Futterman) |
| Melanie Verkins | ... | hair stylist |
Production Management
| Richard W. Abramitis | ... | unit production manager (as Richard Abramitis) |
| Alain Silver | ... | production manager |
Second Unit Director or Assistant Director
| Mark Hansson | ... | trainee assistant director |
| Gere LaDue | ... | second assistant director |
| Louis Race | ... | first assistant director |
| Janet Van Etten | ... | trainee assistant director |
Art Department
| David Adae | ... | swing gang |
| Brian Fong | ... | assistant props |
| James Henderson | ... | lead man (as Jim Henderson) |
| Rudy Reachi | ... | property master |
| Bill Gold | ... | poster designer (uncredited) |
Sound Department
| Warren Grisham | ... | re-recording mixer |
| Ken Heusey | ... | boom operator |
| Sara Oldfield | ... | production sound |
| Bill Oliver | ... | re-recording mixer / sound designer |
| Greg Stewart | ... | re-recording mixer |
| Lydian Tone | ... | sound effects editor |
Stunts
| Laurence Barbera | ... | stunts |
| Christine Anne Baur | ... | stunts |
| Raymond Gabriel | ... | stunts |
| Kathryn Kimler | ... | stunt coordinator |
| Ray Lykins | ... | stunt double: Elliot Gould |
| Al Wyatt Jr. | ... | stunts (as Alan Wyatt) |
| Joel Zolin | ... | stunts |
Camera and Electrical Department
| Doug Cragoe | ... | best boy |
| Robert Gallardo | ... | grip |
| Jimmy Gibson | ... | electrician |
| Marc Goldman | ... | assistant camera |
| Paul Janossy | ... | assistant camera (as Paul Janosi) |
| Tom Jensen | ... | additional assistant camera |
| Gerald McClain | ... | chief lighting technician |
| Vojislav Mikulic | ... | assistant camera (as Voya Mikulic) |
| Mark Pickens | ... | key grip |
| Vince Rapini | ... | best boy grip |
| Lonn Wade | ... | grip |
| Elizabeth Ward | ... | still photographer |
| Doug Weinmann | ... | electrician (as Doug Weinman) |
| Mark D. West | ... | electrician (as Marc West) |
Casting Department
| Jamie Elliott | ... | extras casting |
| Johnatha Monetti | ... | casting assistant |
Costume and Wardrobe Department
| Jane Smith | ... | set costumer |
Location Management
| Rick Feder | ... | location manager |
Music Department
| Louis Creveling | ... | music editor |
| John Loeffler | ... | music producer (as John Leffler) |
Script and Continuity Department
| Dawn C. Dreiling | ... | script supervisor (as Dawn Dreiling) |
Transportation Department
| Mark Ean | ... | transportation coordinator |
Additional Crew
| Suzanne De Grandis | ... | production coordinator |
| Tracy Fisher | ... | production intern |
| Ron Mohrhoff | ... | stand-in |
| Lynn Nakagiri | ... | assistant production coordinator |
| Casey Osborn | ... | stand-in |
| Johnnie Randels | ... | production assistant |
| Mark Reynolds | ... | craft service |
| Ken Rosen | ... | production assistant |
| Michael Jason Rosen | ... | production executive (as Michael Rosen) |
| Louis Rosenblate | ... | production assistant |
| Roger Sinclair | ... | technical advisor |
| Susan C. Smith | ... | production executive |
| Manu Tupou | ... | technical advisor |
| Susan Weeks | ... | assistant to director |
Production Companies
Distributors
- United Artists (1989) (United States) (theatrical)
- MGM/UA Home Entertainment (1989) (United States) (VHS)
- Warner Home Video (1989) (Netherlands) (VHS)
- Medusa Communications and Marketing (1990) (United Kingdom) (theatrical)
- CBS Video (1990) (Greece) (VHS)
- CBS/Fox Home Video (1990) (Australia) (VHS) (as 'Night Visitor')
- IMV (1990) (Germany) (VHS)
- Flat Out Entertainment (1990) (Australia) (theatrical)
- MGM/UA Home Entertainment (2005) (United States) (DVD)
- Scorpion Releasing (2020) (United States) (Blu-ray)
- Tubi TV (United States) (video) (streaming)
Special Effects
Other Companies
- Allied Moving Company (special thanks)
- Alter Image (negative cutting)
- Anheuser Busch (special thanks)
- Best Foods Co. (special thanks)
- Cast and Crew (payroll)
- Catalina Post Inc. (sound post-production)
- Cinelease (production equipment)
- Community of Mar Vista (special thanks)
- Continental Bottlers (special thanks)
- Dr. Pepper Company (I) (special thanks)
- Film Insurance Underwriting Agencies (FIUA) (insurance)
- Florian Enterprises (trailer)
- Gloria Zigner & Associates (publicity)
- Harper House Inc. (special thanks)
- Hoffman Video Systems (video assist)
- John Paul Mitchell System (special thanks)
- Land's End Properties (special thanks)
- Liquor Barn (special thanks)
- Nelson's Cheese, Gourmet & Wine (special thanks)
- Nestlé (special thanks)
- New York Seltzer (special thanks)
- Nike (special thanks)
- Paradise Studios (special thanks)
- Parker Bros. (special thanks)
- PM Promotions (special thanks)
- Skyline (sound equipment)
- Southern Wines and Spirits (special thanks)
- Superior Casting (extras casting)
- Completion Bond Company (bond)
- Visual Systems (titles and opticals)
- Vittel Imports (special thanks)
- Weinberg, Zipser, Arbiter, Heller & Quinn (legal services)
- Young Generators (generators)
Storyline
| Plot Summary |
The compulsive liar teenager Billy Colton witnesses the murder of his sexy and prostitute neighbor Lisa Grace by his history teacher Willard. Willard is an unknown Satanist wanted by the police for killing prostitutes with his brother. Like in the fairy-tale, nobody but his girlfriend believes in Billy. He looks for help with the former friend of his deceased father, the retired Detective Devereaux, and they two decide to investigate his teacher's house. But his snoopy girlfriend Dolan has had the same idea and is captured by the twisted brothers. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Demons. Hookers. Ritual killings. Billy has a very vivid imagination. But what is real and what isn't? Only Billy and his teacher know. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $1,000,000 (estimated) |
| Opening Weekend United States | $166,635, 12 May 1989 |
Did You Know?
| Trivia | Writer Randal Viscovich claims the majority of his screenplay was watered down by order of the executive producers. He wrote a trashy and exploitative horror film that included cannibalism and graphic nudity. He was shocked to see it lightened and even the language toned down. See more » |
| Goofs | Characters are drinking cans of beer when one leaves. As he leaves, there is no beer can in his hands. When he arrives home next door, the beer can is back in his hands. See more » |
| Movie Connections | Referenced in Midnight Madness: The Making of Popcorn (2017). See more » |
| Soundtracks | Calypso Romance Theme See more » |