| Cast overview, first billed only: | |||
| Hossain Sabzian | ... | Self | |
| Mohsen Makhmalbaf | ... | Self | |
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Abolfazl Ahankhah | ... | Self |
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Mehrdad Ahankhah | ... | Self |
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Monoochehr Ahankhah | ... | Self |
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Mahrokh Ahankhah | ... | Self |
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Nayer Mohseni Zonoozi | ... | Self |
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Ahmad Reza Moayed Mohseni | ... | Family Friend |
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Hossain Farazmand | ... | Reporter |
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Hooshang Shamaei | ... | Taxi Driver |
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Mohammad Ali Barrati | ... | Soldier |
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Davood Goodarzi | ... | Sergeant |
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Haj Ali Reza Ahmadi | ... | Judge |
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Hassan Komaili | ... | Court Recorder |
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Davood Mohabbat | ... | Court Recorder |
Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual people involved in the incident re-enact the actual events, followed by the footage from the actual trial that took place. Written by Sam Tabibnia <samtab@uclink.berkeley.edu>
One day on a bus, an out of work father of two is mistaken for Mohsen Makhmalbaf, a famous Iranian filmmaker. He carries through with the ruse until he gets caught, and the family takes him to court, accusing him of fraud. The story is told through layers of flashback and shifting points of view. The look of the film is just as dynamic, using all sorts of film techniques - handheld, grainy 16 mm stock, the subtle use of shifting focus, and the all important close-up.
People tend to say that Abbas Kiarostami's style is a dead-crawl pace coupled with dry documentary images, but I've found his films to be wonderfully unravelling puzzles, full of frustrations and moments of perfect understanding. At times I think the key to Kiarostami's work is to simply earn it - the film may seem hard at first, you might be lost in the story, but don't give up! If you hang in there, you'll be rewarded with an unforgettable ending, like the one here in Close-up.