The true story of Hossain Sabzian, a cinephile who impersonated the director Mohsen Makhmalbaf to convince a family they would star in his so-called new film.The true story of Hossain Sabzian, a cinephile who impersonated the director Mohsen Makhmalbaf to convince a family they would star in his so-called new film.The true story of Hossain Sabzian, a cinephile who impersonated the director Mohsen Makhmalbaf to convince a family they would star in his so-called new film.
- Awards
- 2 wins & 2 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the final scene outside the jail when Sabzian is surprised and touched to meet the real director he had been impersonating, Mohsan Makhmalbaf, we don't hear most of their talk because (we're told) the sound equipment was faulty. In reality, Kiarostami just didn't want to leave the dialogue in, because it didn't come off well: Sabzi was genuinely moved to meet his idol and spoke from his heart, but Makhmalbaf was just repeating scripted lines, so the dialogue didn't work.
- GoofsWhen Sabzian and Makhmalbaf meet, there is a bundle in Sabzian's hand. He gets on the motorbike with the bundle in his hand. Later on, during their ride on the motorbike, the bundle is not there any more.
- Crazy creditsThe film's title doesn't appear on screen until almost sixteen minutes into the film.
- ConnectionsFeatured in Stardust Stricken - Mohsen Makhmalbaf: A Portrait (1996)
Featured review
I find it amazing that this movie works as well as it does. The people in it are not actors. They are ordinary Iranian citizens who happened to be involved in a curious incident that aroused the interest of a very talented film director. As an American who is aware of the tension between Iran's government and its vibrant film industry, you can't help but to scour this simple story for an ideological message. Is it a protest film? Is it an "all is well with Iran" film? Well, it's not either. It's just a simple and relatively mundane story told by the people who actually lived it.
What I got out of it, and your mileage may vary, is a deep sense that there is something beautiful about seeing a relatively small matter as an event of deep significance, one that requires all your attention. There is no larger story that gives meaning to the small events portrayed in the film, but the people in it, as well as the filmmakers themselves, imbue them all with a great seriousness. All of it is done without a hint of parody or ulterior motive.
And it's not like Iran didn't have "big" issues to confront in 1990, as it was rebuilding its society after the brutal war with Iraq. The cheap and obvious thing to do, which many foreign movies try, is to tell a simple story with a background of an emotionally charged historical time. It's quite beautiful to see this movie avoid that trap. It's not like you'll be moved to tears or something, but that's a part of the point! In a way, the film's ostensible lack of manipulativeness is so fresh to American eyes that you might find yourself moved on a much deeper level. Well, that, or you might be totally confused. After all, there is no background score to instruct you on how you should be feeling at each instant.
What I got out of it, and your mileage may vary, is a deep sense that there is something beautiful about seeing a relatively small matter as an event of deep significance, one that requires all your attention. There is no larger story that gives meaning to the small events portrayed in the film, but the people in it, as well as the filmmakers themselves, imbue them all with a great seriousness. All of it is done without a hint of parody or ulterior motive.
And it's not like Iran didn't have "big" issues to confront in 1990, as it was rebuilding its society after the brutal war with Iraq. The cheap and obvious thing to do, which many foreign movies try, is to tell a simple story with a background of an emotionally charged historical time. It's quite beautiful to see this movie avoid that trap. It's not like you'll be moved to tears or something, but that's a part of the point! In a way, the film's ostensible lack of manipulativeness is so fresh to American eyes that you might find yourself moved on a much deeper level. Well, that, or you might be totally confused. After all, there is no background score to instruct you on how you should be feeling at each instant.
- spazmodeus
- Jun 24, 2003
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Details
Box office
- Gross US & Canada
- $2,670
- Opening weekend US & Canada
- $2,670
- Jan 2, 2000
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