Lähellä kuolemaa (1990)
Narrow Margin (original title)Reference View | Change View
- R
- 1h 37min
- Action, Crime
- 01 Feb 1991 (Finland)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Gene Hackman | ... |
Robert Caulfield
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| Anne Archer | ... |
Hunnicut
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| James Sikking | ... |
Nelson
(as James B. Sikking)
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| J.T. Walsh | ... |
Michael Tarlow
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| M. Emmet Walsh | ... |
Sgt. Dominick Benti
(as M. Emmett Walsh)
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| Susan Hogan | ... |
Kathryn Weller
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| Nigel Bennett | ... |
Jack Wootton
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| J.A. Preston | ... |
Martin Larner
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B.A. 'Smitty' Smith | ... |
Keller
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Codie Lucas Wilbee | ... |
Nicholas
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| Barbara Russell | ... |
Nicholas' Mother
(as Barbara E. Russell)
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| Antony Holland | ... |
Elderly Man
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Doreen Ramos | ... |
Elderly Woman
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| Kevin McNulty | ... |
James Dahlbeck
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Andrew Rhodes | ... |
Nigro
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Lon Katzman | ... |
Loughlin
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Dana Still | ... |
Bellman With Message
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| Lesley Ewen | ... |
Larner's Secretary
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Barney O'Sullivan | ... |
Ticket Agent
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Natino Bellantoni | ... |
Bartender
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Ted Stidder | ... |
Conductor #1
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Lindsay Bourne | ... |
Club Car Waiter
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| Robert Rozen | ... |
Dining Car Waiter
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| Tom McBeath | ... |
Conductor #2
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Ron Cummins | ... |
Hotel Valet
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| Harris Yulin | ... |
Leo Watts
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| Rest of cast listed alphabetically: | |||
| Jennifer Fahrni | ... |
Train Passenger (uncredited)
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John Michael Quinn | ... |
Criminal Attorney (uncredited)
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Directed by
| Peter Hyams | ||
Written by
| Peter Hyams | ... | (screenplay) |
| Earl Felton | ... | (earlier screenplay) |
| Martin Goldsmith | ... | (earlier story) & |
| Jack Leonard | ... | (earlier story) |
Produced by
| Mary Eilts | ... | associate producer |
| Mario Kassar | ... | executive producer |
| Jerry Offsay | ... | co-producer |
| Andrew G. Vajna | ... | executive producer (as Andrew Vajna) |
| Jonathan A. Zimbert | ... | producer |
Music by
| Bruce Broughton | ||
Cinematography by
| Peter Hyams | ... | director of photography |
Film Editing by
| James Mitchell | ||
Editorial Department
| Beau Barthel | ... | additional film editor (as Beau Barthel-Blair) |
| Donah Bassett | ... | negative cutter |
| Bob Kaiser | ... | color timer |
| Stephanie Mitchell | ... | apprentice film editor |
| Beverly Pinnas | ... | first assistant film editor |
Casting By
| Lynne Carrow | ||
Production Design by
| Joel Schiller | ||
Art Direction by
| Kim Mooney | ||
| Eric Orbom | ||
| David Willson | ... | supervising art director |
Set Decoration by
| Kim MacKenzie | ||
Makeup Department
| Leslie Ann Anderson | ... | hair stylist: Ms. Archer (as Leslie Anderson) |
| Pat Gerhardt | ... | makeup artist: Ms. Archer |
| Roy Sidick | ... | hair stylist |
| Margaret Solomon | ... | makeup artist |
Production Management
| Mary Eilts | ... | unit production manager |
Second Unit Director or Assistant Director
| Robert Lee | ... | second assistant director |
| Mike Rohl | ... | dgc trainee (as Michael J. Rohl) |
| Jack Frost Sanders | ... | first assistant director |
| Lisa Weinstein | ... | third assistant director |
Art Department
| Gary Brooks | ... | head greensman |
| Phil Gough | ... | assistant prop master |
| Wayne McLaughlin | ... | property master |
| Mike Rennison | ... | construction foreman (as Michael Rennison) |
| Ken Wells | ... | head painter (as Kenneth Wells) |
| John G. Anderson | ... | construction buyer (uncredited) |
| Charles William Breen | ... | set designer (uncredited) |
Sound Department
| Karen Baker Landers | ... | assistant sound editor (as Karen M. Baker) |
| Tom Bellfort | ... | supervising sound editor |
| Bill W. Benton | ... | re-recording mixer |
| John Brilhante | ... | sound recordist (as John W. Brilhante) |
| Donald D. Brown | ... | boom operator (as Don Brown) |
| Neal Burger | ... | sound editor (as Neal R. Burger) |
| Carlos Delarios | ... | re-recording mixer (as Carlos deLarios) |
| Scott Martin Gershin | ... | sound editor |
| Douglas Greenfield | ... | stereo consultant: Dolby |
| Per Hallberg | ... | assistant sound editor |
| Kevin Hearst | ... | sound editor (as Raoul) |
| Gary A. Hecker | ... | foley artist (as Gary Hecker) |
| Doc Kane | ... | foley mixer |
| Michael J. Kohut | ... | re-recording mixer |
| Mark Lanza | ... | additional audio (as Mark A. Lanza) |
| Dan O'Connell | ... | foley artist |
| Ralph Parker | ... | production sound mixer |
| Dan M. Rich | ... | sound editor (as Dan Rich) |
| Bill Rojas | ... | sound recording facility supervisor |
| Dan Sharp | ... | sound recordist (as Daniel Sharp) |
| Wylie Stateman | ... | supervising sound editor |
| Kim Waugh | ... | additional audio |
| Steve Mann | ... | sound editor (uncredited) |
| Glenn T. Morgan | ... | sound editor (uncredited) |
Special Effects by
| Guy Faria | ... | special effects assistant |
| Roger Lifsey | ... | special effects assistant |
| Stan Parks | ... | special effects coordinator |
| Kevin Quibell | ... | special effects assistant |
| Steve Wolke | ... | special effects assistant |
Visual Effects by
| Donald Hansard Sr. | ... | process projectionist (as Don Hansard Sr.) |
| Bill Hansard | ... | process coordinator |
| Don Hansard | ... | process projectionist (as Don Hansard Jr.) |
| Robert Hansard | ... | process projectionist (as Bob Hansard) |
| René Simoneau | ... | process projectionist |
Stunts
| Denny Arnold | ... | stunt person |
| Doc Duhame | ... | stunt person (as Ronald 'Doc' Duhame) |
| Lon Katzman | ... | stunt person |
| Curtis Lupo | ... | stunt person |
| Scott Nicholson | ... | stunt person |
| Peter Reynolds | ... | stunt person |
| Gar Stephen | ... | stunt person |
| Amy Stephen Wilder | ... | stunt person (as Amy Wilder) |
| Glenn R. Wilder | ... | stunt coordinator (as Glenn Wilder) |
| Curt Bonn | ... | stunt rigger (uncredited) |
| Melissa R. Stubbs | ... | stunt double: Anne Archer (uncredited) |
Camera and Electrical Department
| David L. Butler | ... | aerial camera operator (as David Butler) |
| Les Erskine | ... | chief lighting technician |
| Dale Garrison | ... | rigging gaffer (as Dale 'Tiny' Garrison) |
| Ralph Gerling | ... | camera operator |
| John Hyams | ... | company grip |
| Robin Jobin | ... | best boy grip |
| Nick Kuchera | ... | key grip |
| Denis Marcotte | ... | grip |
| Nathaniel Massey | ... | Steadicam operator |
| Dan Moore | ... | video assist (as Daniel P. Moore) |
| Steve Peterson | ... | first assistant cameraman |
| Jack Rowand | ... | still photographer |
| Adam Sliwinski | ... | trainee |
| Rick Stadder | ... | dolly grip |
| Pat Williams | ... | second assistant cameraman |
| Jack Rigg | ... | grip (uncredited) |
| Brian Thurston | ... | camera remote technician (uncredited) |
Casting Department
| James Forsyth | ... | extras casting |
Costume and Wardrobe Department
| Jerry R. Allen | ... | costumer (as Jerry Allen) |
| Dolores C. Burke | ... | costumer (as Dolores Burke) |
| Ellen Mirojnick | ... | costume designer: Ms. Archer |
Location Management
| James Sallis | ... | location manager |
| Greg Jackson | ... | assistant location manager (uncredited) |
| Nancy Larman | ... | location manager (uncredited) |
Music Department
| Mark McKenzie | ... | orchestrator |
| Don Nemitz | ... | orchestrator |
| Curt Sobel | ... | music editor |
| Armin Steiner | ... | scoring mixer |
| Ken Watson | ... | music contractor |
| Tom Brown | ... | music preparation (uncredited) |
| Larry Bunker | ... | musician: drums, percussion (uncredited) |
| Gayle Levant | ... | musician: harp (uncredited) |
| James Thatcher | ... | musician: French horn (uncredited) |
Script and Continuity Department
| Lara Fox | ... | script supervisor |
Transportation Department
| Fred Moroz | ... | transportation captain |
| Alois Stranan | ... | transportation coordinator |
Additional Crew
| Terry Benson | ... | pilot |
| Adam Druxman | ... | production assistant |
| Barney France | ... | pilot |
| Judith French | ... | assistant production accountant (as Judy French) |
| Penny Gibbs | ... | production office coordinator |
| Nick Hyams | ... | quality control |
| Steven Jongeward | ... | assistant: Mr. Zimbert |
| Mario Kassar | ... | presenter |
| Roberta Lewis | ... | assistant: Mr. Hyams |
| Yvonne Melville | ... | assistant production office coordinator |
| Don Orlando | ... | production accountant (as Donald Orlando) |
| Brigitte Prochaska | ... | unit publicist |
| Mike Solecki | ... | train movement supervisor |
| Andrew G. Vajna | ... | presenter (as Andrew Vajna) |
| Jeff Wagner | ... | gun handler |
| Steve Wright | ... | helicopter coordinator / pilot |
| Michael Barnes | ... | legal attorney (uncredited) |
| Todd Lester | ... | security officer (uncredited) |
| Melissa Smith | ... | director of operations (uncredited) |
Thanks
| Bill Coo | ... | the filmmakers gratefully acknowledge the cooperation and assistance of: VIA Rail Canada |
| Randy Parton | ... | the filmmakers gratefully acknowledge the cooperation and assistance of |
Production Companies
Distributors
- TriStar Pictures (1990) (United States) (theatrical)
- Scotia International Filmverleih (1991) (Germany) (theatrical)
- Finnkino (1991) (Finland) (theatrical)
- Image Entertainment (1991) (United States) (video) (laserdisc)
- LK-TEL (1991) (Argentina) (VHS)
- Pioneer (1991) (United Kingdom) (video) (laserdisc)
- Showtime Video (1991) (Finland) (VHS)
- Live Home Video (1994) (United States) (VHS)
- Yleisradio (YLE) (2002) (Finland) (tv)
- Mainostelevisio (MTV3) (1995) (Finland) (tv)
- Artisan Entertainment (1998) (United States) (DVD)
- Avid Home Entertainment (1994) (United States) (VHS)
- Kinowelt Home Entertainment (2002) (Germany) (DVD)
- Universal Home Entertainment (2004) (United Kingdom) (DVD)
- Sandrew Metronome Distribution (2006) (Finland) (DVD)
- Maple Pictures (2007) (Canada) (DVD)
- Optimum Home Entertainment (2007) (United Kingdom) (DVD)
- AMLF (1991) (France) (theatrical)
- Alliance (1990) (Canada) (theatrical)
- Columbia TriStar Film Distributors International (1991) (Spain) (theatrical)
- Concorde Film (1991) (Netherlands) (theatrical)
- Constantin-Film (1991) (Austria) (theatrical)
- Eastern Epic Production Division (1993) (India) (theatrical)
- Guild Film Distribution (1990) (United Kingdom) (theatrical)
- Roadshow Films (1990) (Australia) (theatrical)
- Svensk Filmindustri (SF) (1991) (Sweden) (theatrical)
- Syncron Film (1991) (Norway) (theatrical)
- Toho-Towa (1990) (Japan) (theatrical)
- Carolco Pictures (1990) (Non-US) (sales)
- Concorde Video (1991) (Netherlands) (VHS)
- Excalibur Benelux (1991) (Belgium) (VHS)
- Front Row Filmed Entertainment (2008) (United Arab Emirates) (DVD) (Middle East)
- Guild Home Video (1991) (United Kingdom) (VHS)
- Kino Lorber (2020) (United States) (Blu-ray)
- Koch Films (2020) (Germany) (Blu-ray)
- Koch Films (2020) (Germany) (DVD)
- LK-TEL Vídeo (Brazil) (VHS)
- MCA Home Video (1990) (Canada) (VHS)
- Paramount Pictures (2005) (United States) (tv)
- Rete 4 (2016) (Italy) (tv)
- Roadshow Home Video (1991) (Australia) (video)
- Trifecta Entertainment and Media (2016) (United States) (tv) (syndicated print)
- Tubi TV (United States) (video) (streaming)
- Universal Pictures Finland (2009) (Finland) (DVD)
- Video Film Express (Netherlands) (VHS)
- Visionary Thinking (2015) (Serbia) (tv)
- WGN (1995) (United States) (tv)
- Worldvision Enterprises (1993) (United States) (tv) (syndication)
Special Effects
Other Companies
- RKO Radio Pictures (based on: "The Narrow Margin")
- R/Greenberg Associates (titles designed and produced by)
- Cinema Research (opticals by)
- Lloyd-Levin Casting (casting: Los Angeles)
- 20th Century Fox Studios (music recorded at)
- Columbia Studios (re-recorded at)
- VIA Rail Canada (the filmmakers gratefully acknowledge the cooperation and assistance of)
- BC Rail (the filmmakers gratefully acknowledge the cooperation and assistance of)
- Four Seasons Hotel, Vancouver (the filmmakers gratefully acknowledge the cooperation and assistance of)
- Los Angeles Times (the filmmakers gratefully acknowledge the cooperation and assistance of)
- British Columbia Film Commission (the filmmakers gratefully acknowledge the cooperation and assistance of)
- Environment Canada (the filmmakers gratefully acknowledge the cooperation and assistance of)
- The Glenbow Museum (the filmmakers gratefully acknowledge the cooperation and assistance of)
- Albert G. Ruben and Company (the filmmakers gratefully acknowledge the cooperation and assistance of)
- Complete Film Corporation (the filmmakers gratefully acknowledge the cooperation and assistance of)
- International Alliance of Theatrical Stage Employees (IATSE) (acknowledgment)
- Intrada (score album released by) (Special Collection)
- William F. White International (grip and lighting equipment)
Storyline
| Plot Summary |
A woman secretly witnesses the murder of her blind date for the evening by a top Mafia boss. She immediately goes into hiding without informing the authorities. When they finally catch up with her, she is unwilling to testify to what she has seen, but the Mafia are on her trail. Accompanied by a deputy district attorney, the woman boards a train travelling through a remote part of Canada. The Mafia know him but they have never seen her. Written by Rob Hartill |
| Plot Keywords | |
| Taglines | Sometimes the difference between life and death can be a Narrow Margin See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Did You Know?
| Trivia | The cabin featured in the first act was specifically built for the movie. Peter Hyams decided to build it on top of a mountain in that particular spot while it was still covered in winter snow. When the snow melted it turned out that the spot was actually a dump and it took a short while to clear it out. See more » |
| Goofs | The helicopter bringing Caulfield and Benti to the cabin has different rear windows in different shots. From the interior, it has ordinary flat windows with sliding ventilation panels -- the rectangular panel frames and tracks are visible. From the exterior, it has unventilated one-piece bubble windows which allow sightseers unobstructed views and photography. See more » |
| Movie Connections | Edited into No Tomorrow (1999). See more » |
| Quotes |
Nicholas:
This guy's lying - he's a train robber! Caulfield: What would I want with a train? See more » |