7.8/10
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Miller's Crossing (1990)

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2:44 | Trailer
Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

Directors:

Joel Coen, Ethan Coen (uncredited)

Writers:

Joel Coen, Ethan Coen
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Popularity
4,208 ( 269)
4 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gabriel Byrne ... Tom Reagan
Marcia Gay Harden ... Verna
John Turturro ... Bernie Bernbaum
Jon Polito ... Johnny Caspar
J.E. Freeman ... Eddie Dane
Albert Finney ... Leo
Mike Starr ... Frankie
Al Mancini ... Tic-Tac
Richard Woods Richard Woods ... Mayor Dale Levander
Tom Toner ... O'Doole (as Thomas Toner)
Steve Buscemi ... Mink
Mario Todisco Mario Todisco ... Clarence "Drop" Johnson
Olek Krupa ... Tad
Michael Jeter ... Adolph
Lanny Flaherty ... Terry
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Storyline

Tom Reagan (played by Gabriel Byrne) is the right-hand man, and chief adviser, to a mob boss, Leo (Albert Finney). Trouble is brewing between Leo and another mob boss, Johnny Caspar (Jon Polito), over the activities of a bookie, Bernie Bernbaum (John Turturro) and Leo and Tom are at odds on how to deal with it. Meanwhile, Tom is in a secret relationship with Leo's girlfriend, Verna (Marcia Gay Harden), who happens to be the sister of Bernie. In trying to resolve the issue, Tom is cast out from Leo's camp and ultimately finds himself stuck in the middle between several deadly, unforgiving parties. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

You can dangle. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Irish | Yiddish

Release Date:

5 October 1990 (USA) See more »

Also Known As:

Miller's Crossing See more »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$28,202, 23 September 1990

Gross USA:

$5,080,409

Cumulative Worldwide Gross:

$5,080,409
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the argot of the criminal element, as often heard in early cops and robbers movies, yegg is a term normally used to refer to a safe-cracker. It has a couple of other, less used, definitions to refer to criminal types. See more »

Goofs

The robe that Verna wears when Tom visits her the morning after he loses his hat keeps changing positions between shots, alternately revealing and concealing her bra. See more »

Quotes

Verna: Why don't we just pick up and leave town? There's nothing keeping you here. I know there's nothing keeping me.
Tom Reagan: What about Bernie?
Verna: He could go with us.
Tom Reagan: You, me and Bernie; where would we go, Verna? Niagara Falls?
See more »

Crazy Credits

The opening credits list production companies, the title, and the main cast. The crew is not listed until the ending credits, starting with a director credit. See more »

Connections

Referenced in American Dad!: Roger 'n' Me (2006) See more »

Soundtracks

Decatur Street Tutti
Written and Performed by Jabbo Smith
Courtesy of MCA Records
See more »

Frequently Asked Questions

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User Reviews

 
The answer my friend is a hat blowing in the wind.
10 November 2014 | by SpikeopathSee all my reviews

The Coen brothers craft a loving homage to gangster pictures of yore with splendid results. Essentially the plot has Gabriel Byrne as a good - bad guy caught between two rival gangster factions. It's a standard story line that is still providing cinematic water for many a film maker these days, but shot through the Coen prism, with literary astuteness holding court, it's a genre piece of considerable class. A picture in fact that gets better and better with further viewings.

When the Coen's are on form they have the skills to make a grade "A" thriller and blend it with a sort of dry irony. It's like they bite the hand that feeds whilst praising said genre influences to the rafters, but it works as damn fine entertainment. On a narrative level Miller's Crossing molds the Byzantine with the labyrinthine, keeping the complexities just on the right side of the street from that of art for arts sake.

Visually the film is superb, the hard working sweat of the city dovetails impudently with the mother nature beauty of Miller's Crossing the place, a place home to misery, a witness to the dark side of man. All the while Byrne, Albert Finney, John Turturro and Jon Polito bring an array of characterisations to the party, each one his own man but each craftily proving the folly of man. Marcia Gay Harden, in one of her first mainstream roles, slinks about making the two main boys sweaty, and wonderful she is as well. While Carter Burwell provides a musical score that has a smug (in a good way) self awareness about it.

Style over substance? Yes, on formative viewings it is. But go back, look again, see and sample what is not being said. Pulpers and noirers will I'm sure get the gist. 8/10


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