7.8/10
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334 user 151 critic

Miller's Crossing (1990)

Trailer
2:44 | Trailer
Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

Directors:

Joel Coen, Ethan Coen (uncredited)

Writers:

Joel Coen, Ethan Coen
Reviews
Popularity
3,797 ( 242)
4 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gabriel Byrne ... Tom Reagan
Marcia Gay Harden ... Verna
John Turturro ... Bernie Bernbaum
Jon Polito ... Johnny Caspar
J.E. Freeman ... Eddie Dane
Albert Finney ... Leo
Mike Starr ... Frankie
Al Mancini ... Tic-Tac
Richard Woods Richard Woods ... Mayor Dale Levander
Tom Toner ... O'Doole (as Thomas Toner)
Steve Buscemi ... Mink
Mario Todisco Mario Todisco ... Clarence "Drop" Johnson
Olek Krupa ... Tad
Michael Jeter ... Adolph
Lanny Flaherty ... Terry
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Storyline

Tom Reagan (played by Gabriel Byrne) is the right-hand man, and chief adviser, to a mob boss, Leo (Albert Finney). Trouble is brewing between Leo and another mob boss, Johnny Caspar (Jon Polito), over the activities of a bookie, Bernie Bernbaum (John Turturro) and Leo and Tom are at odds on how to deal with it. Meanwhile, Tom is in a secret relationship with Leo's girlfriend, Verna (Marcia Gay Harden), who happens to be the sister of Bernie. In trying to resolve the issue, Tom is cast out from Leo's camp and ultimately finds himself stuck in the middle between several deadly, unforgiving parties. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

You can dangle. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Irish | Yiddish

Release Date:

5 October 1990 (USA) See more »

Also Known As:

Miller's Crossing See more »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$28,202, 23 September 1990

Gross USA:

$5,080,409

Cumulative Worldwide Gross:

$5,080,409
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

John Turturro based his performance on the film's cinematographer Barry Sonnenfeld. See more »

Goofs

When Verna and Tom are talking in the women's dressing room, Verna slugs him. As he staggers away, the glass is in his left hand, but he throws it at the mirror with his right. See more »

Quotes

Tom Reagan: If you want me to keep my mouth shut, it's gonna cost you some dough. I figure a thousand bucks is reasonable, so I want two.
See more »

Crazy Credits

The opening credits list production companies, the title, and the main cast. The crew is not listed until the ending credits, starting with a director credit. See more »

Connections

Referenced in Homestarrunner.com: Everything Else, Volume 1 (2005) See more »

Soundtracks

Come Back To Erin
By Claribel (a/k/a Charlotte Allington Barnard)
Performed by John McCormack
Courtesy of Arabesque Records
See more »

Frequently Asked Questions

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User Reviews

 
what's the rumpus? this movie is one of the greatest
1 January 2006 | by ghe-2See all my reviews

This is for those who have seen the movie and given it the high hat.

"For a sheeny he's got a lot of good qualities." I'm watching the film AGAIN now and this gem just popped up. Any piece of dialog would make my quote book. This ain't no review. It's a response. First, seeing this as a gangster movie is like seeing Blade Runner as a sci-fi flick. Second, seeing this as film noir, with Tom as the typical anti-hero shows that we have to classify every film by the terms we are comfortable with. Finally, Tom is one of the most complex characters I've seen in film. Why? Because he's real. It reminds me a bit of the American Splendor comics and film where Pekar don't have to give a happy ending, a sad ending, clear symbolism, a strong message. Just a story even if it does not "fit" into what we expect from books, films, magazines, etc. Tom is one of my favorite characters and I still don't understand him and neither do you. This along with everything people have commented on (dialog, editing, characters, etc.) make the film in my opinion one of THE greatest films period. What makes Godfather better? Brando's tired speeches? This is a flick you can watch over and over and I stand by those who respect the genius of this film. So take ya flunkie and dangle and again- this paragraph is for those who give the high hat to Tom, the most conflicted and realistic personage in any film I've seen. Will you watch Tom with amazement or try to analyze his motivation based on film stereotypes? Let's get stinko.


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