Antoine has always been fascinated with a hairdresser's delicate touch, the beguiling perfume and the figure of a woman with an opulent bosom, moreover, he knew that he would marry one, fulfilling his dream of a perfect and idealised love.
Michel Mortez is going to and fro France to compere a radio game he created 25 years ago. He is famous among the average Frenchmen. But he is also a poker. Rivetot, his assistant and ... See full summary »
Vincent, a stunt pilot, is acquitted of murdering his wife and her lover. However, a few years later, L'Elegant, the Judge in the case, comes to blackmail him. The Judge's nephew, Paul, is ... See full summary »
This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of Isabelle Carré's face. She is capable of changing her facial ... See full summary »
Twelve-year-old Antoine falls profoundly in love with a voluptuous but suicidal hairdresser, a formative experience he never forgets. Much later in life, he seeks to repeat his romance by marrying Mathilde - also voluptuous and also a hairdresser - with whom he forms an intimate and consuming relationship in an attempt to blot out the miseries of this world from their lives.Written by
I am a little at a loss of words to describe this small gem of a movie. It is very sensual, it is deeply moving, and it is very funny. As a small boy Antoine is asked by his father what he would like to be one day. He answers that he wants to marry a hairdresser ... and he does some fifty years later when he weds Mathilde. Their relationship is an ideal one: warm, affectionate, deeply loving. It brings out the very best in both of them. But Mathilde knows (fears?) that what goes up must come down...
The acting is superb. Very little is actually said but both Jean Rochefort and the Italian actress Anna Galiena speak with their bodies and above all with their faces, and their language surpasses that of words: their superb acting makes it appear easy for an audience to share their emotions and be elevated to similar heights and depths of feelings. If only all films would manipulate our emotions in such a subtle and gratifying way. First rate!
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