In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.Written by
The menu of the Regret Rien restaurant includes: Black Pudding and Camembert Soup, Boiled Bacon Comsommé, Saveloy on a Bed of Lychees, Liver in Lager, Pork Cyst, Clams in Ham with Pan-Fried Cocke-based Sauce, Prune Quiche, King Prawn (just one) in Jam Sauce, Duck in Chocolate Sauce, Tongues in a Rhubarb Hollandaise, Tripe Soufflé, Quails on a Bed of Spinach and Treacle, Kidney Vols-au-vent, Chilled Brains, Prune Quiche, Grilled Trotter with Eggs Over Easy See more »
this is another one of those movies that i loved so much the first time i saw it, i cried in the theater, went home, came back the next day with a friend in tow.
unlike the other movies i did this with (raising Arizona, after hours), the person i saw it with actually got the movie the first time, and loved it as much as i did. yes, naked and Topsy turvy got all the praise, but this is my favorite Leigh movie. it is just so...sweet.
i would talk about this movie years after seeing it saying that it was so heartbreakingly real, if you cut the screen, it would bleed. the was something so compelling about everyone in this movie. someone said they were pathetic, but i couldn't say i saw it like that. they were just flawed people doing the best they could. to me that is so beautiful. for years i would wish that America had a real working class director like mike Leigh. someone who showed people struggling. we need it so very badly, as the aftermath of Katrina can attest to. we forget our poor over here.
the funniest thing was i wold watch this movie when i got depressed, and it made me feel less alone. it cheered me up.
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