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Joe Versus the Volcano (1990)

PG | | Comedy, Romance | 9 March 1990 (USA)
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When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
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Cast

Cast overview, first billed only:
... Joe
... DeDe / Angelica / Patricia
... Graynamore
... Dr. Ellison
... Chief of the Waponis
... Mr. Waturi
Barry McGovern ... Luggage Salesman
... Dagmar
... Marshall
Jayne Haynes ... Nurse
David Burton ... Mike
Jon Conrad Pochron ... Tony (as Jon Pochran)
... Fred - Guard
Antoni Gatti ... Italian Tailor
... Underwear Salesman
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Storyline

Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by <talford@mitre.org>

Plot Summary | Add Synopsis

Taglines:

A story of love, lava and burning desire. See more »

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 March 1990 (USA)  »

Also Known As:

Joe contra el volcán  »

Filming Locations:

 »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$9,252,232, 11 March 1990, Wide Release

Gross USA:

$39,404,261
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene where Joe goes shopping (supposedly in New York City) was actually filmed on Rodeo Drive in Beverly Hills. You can see the familiar Gucci sign. See more »

Goofs

When Joe enters the factory turnstile (view from the back), the man next in line is not the same man behind him when Joe gets hit by the turnstile (view from the front). This might be deliberate on the part of the film makers. When he walks through the parking lot, most of the people around him are dressed as blue-collar workers (open collars and jackets). When he enters the gate, most of the people behind him are white collar workers (jacket and tie under overcoat). See more »

Quotes

Patricia: My father says that almost the whole world is asleep. Everybody you know. Everybody you see. Everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.
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Connections

Spoofed in Nostalgia Critic: Twister (2009) See more »

Soundtracks

Marooned Without You
Music by Georges Delerue
Lyrics by John Patrick Shanley
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User Reviews

 
Quirky is not a dirty word...
18 March 2001 | by See all my reviews

...yet this eccentric comedy never quite found its niche with the public, and I don't know why. It's beautifully produced and written, wonderfully acted and endlessly weird (how many films can you say that about?). When sad-sack Tom Hanks decides to give up his life for a few days of luxury, we understand because his existence may be a lot like ours: glum office job with lime walls, dirty floors, unpleasant co-workers, bad coffee and fluorescent lights on the fritz. When he's out to sea, floating on his luggage, he sees shapes in the sky at night that light up his face; he may be in a precarious position, stranded on the ocean, but he's the happiest and most alive he's ever been. What a wonderful moment in a movie chock-full of smart, sneaky laugh lines and throwaway bits of business that stay with one, growing beloved in the memory. Screenwriter John Patrick Shanley, also making his directorial debut, has a fine sense of pacing and a keen eye for the absurd beauty in our midst. Only in the final reel does the construction of the plot stumble, however this is due to film studio interference. ***1/2 from ****


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