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Joe Versus the Volcano (1990)

PG | | Comedy, Romance | 9 March 1990 (USA)
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When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
... Joe
... DeDe / Angelica / Patricia
... Graynamore
... Dr. Ellison
... Chief of the Waponis
... Mr. Waturi
Barry McGovern ... Luggage Salesman
... Dagmar
... Marshall
Jayne Haynes ... Nurse
David Burton ... Mike
Jon Conrad Pochron ... Tony (as Jon Pochran)
... Fred - Guard
Antoni Gatti ... Italian Tailor
Darrell Zwerling ... Underwear Salesman
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Storyline

Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by <talford@mitre.org>

Plot Summary | Add Synopsis

Taglines:

A story of love, lava and burning desire. See more »

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 March 1990 (USA)  »

Also Known As:

Joe contra el volcán  »

Filming Locations:

 »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$9,252,232, 11 March 1990, Wide Release

Gross USA:

$39,404,261
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Writer's (John Patrick Shanley) trademark: full moon. See more »

Goofs

In the storm scene, Joe and Patricia are facing each other (having just kissed) when the boom hits Patricia in the back of the head. In the subsequent cut, she is flung (face-first) into the ocean, but Joe is nowhere to be seen - she would have taken him with her, or at least knocked him over. He's also taller than she is, so he would have been hit too (clearly, nobody had time to duck). See more »

Quotes

Joe Banks: I have less than six months to live. The Waponis believe they need a human sacrifice or their island is going to sink into the ocean. They have this mineral your father wants so he hired me to leap into their volcano.
Patricia: What?
Joe Banks: You're not going to make me say that again, are you?
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Connections

References My Fair Lady (1964) See more »

Soundtracks

Good Lovin
Written by Arthur Resnick and Rudy Clark
Performed by The Rascals
used while fishing on the yacht
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User Reviews

 
Quirky is not a dirty word...
18 March 2001 | by See all my reviews

...yet this eccentric comedy never quite found its niche with the public, and I don't know why. It's beautifully produced and written, wonderfully acted and endlessly weird (how many films can you say that about?). When sad-sack Tom Hanks decides to give up his life for a few days of luxury, we understand because his existence may be a lot like ours: glum office job with lime walls, dirty floors, unpleasant co-workers, bad coffee and fluorescent lights on the fritz. When he's out to sea, floating on his luggage, he sees shapes in the sky at night that light up his face; he may be in a precarious position, stranded on the ocean, but he's the happiest and most alive he's ever been. What a wonderful moment in a movie chock-full of smart, sneaky laugh lines and throwaway bits of business that stay with one, growing beloved in the memory. Screenwriter John Patrick Shanley, also making his directorial debut, has a fine sense of pacing and a keen eye for the absurd beauty in our midst. Only in the final reel does the construction of the plot stumble, however this is due to film studio interference. ***1/2 from ****


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