Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny.Written by
Joseph Banks was the name of Captain Cook's chief botanist on his expeditions to the South Pacific in the 18 century. See more »
In the storm scene, Joe and Patricia are facing each other (having just kissed) when the boom hits Patricia in the back of the head. In the subsequent cut, she is flung (face-first) into the ocean, but Joe is nowhere to be seen - she would have taken him with her, or at least knocked him over. He's also taller than she is, so he would have been hit too (clearly, nobody had time to duck). See more »
I bribed them to sing a song that would drive us insane and make our hearts swell and burst.
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The movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance. See more »
Without a doubt one of the greatest movies ever made.
I am a very tough critic, and most movies are nothing but incredible disappointments for me. However, Joe vs. the Volcano is a movie that I can honestly say is a cinematic masterpiece. When people call this a romantic comedy, they are committing a great injustice to this film. That is not to say that there is not romantic comedy in the story, but to say that it is the point of the film is monumentally short sighted. The real story in Joe vs. the Volcano is about coming to terms with yourself, finding that spark that we spend our lives searching for. It is about discovering our humanity and what that entails. Normally, this would end up being pretentious and sophomoric crap, but because the heavy subject matter is taken so lightly, we are treated to a modern fairy tale that runs the gamut in terms of emotional impact. The performances are stellar and to this day I have never enjoyed Tom Hanks more, the direction pays tribute to classic films with cinephillic glee, and the soundtrack is simply superb. 10 out of 10!
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