5.8/10
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Joe Versus the Volcano (1990)

PG | | Comedy, Romance | 9 March 1990 (USA)
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1:54 | Trailer
When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Joe
Meg Ryan ... DeDe / Angelica / Patricia
Lloyd Bridges ... Graynamore
Robert Stack ... Dr. Ellison
Abe Vigoda ... Chief of the Waponis
Dan Hedaya ... Mr. Waturi
Barry McGovern Barry McGovern ... Luggage Salesman
Amanda Plummer ... Dagmar
Ossie Davis ... Marshall
Jayne Haynes Jayne Haynes ... Nurse
David Burton David Burton ... Mike
Jon Conrad Pochron Jon Conrad Pochron ... Tony (as Jon Pochran)
Jim Hudson ... Fred - Guard
Antoni Gatti Antoni Gatti ... Italian Tailor
Darrell Zwerling ... Underwear Salesman
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Storyline

Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by <talford@mitre.org>

Plot Summary | Add Synopsis

Taglines:

A story of love, lava and burning desire. See more »

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

9 March 1990 (USA) See more »

Also Known As:

Joe Versus the Volcano See more »

Filming Locations:

Hawaii, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$9,252,232, 11 March 1990

Gross USA:

$39,404,261

Cumulative Worldwide Gross:

$39,404,261
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The mask, worn by the Waponi, who is representing the evil spirit, resembles the factory, where Joe used to work. See more »

Goofs

The first night on the ship, when they are having dinner, we see a crescent moon with horns pointing downward. The crescent moon is actually a spherical object that is illuminated by the light of the sun. Therefore, the "horns" of the crescent always point away from the sun. In the northern hemisphere of the Earth, when the evening sun is below the horizon in the west, the horns of the crescent moon point upward and to the left. And several weeks later, when the morning sun is below the horizon in the east, the horns point upward and to the right. Downward horns would imply that the sun is above the horizon, therefore it would not be night. See more »

Quotes

Patricia: My father says that almost the whole world is asleep. Everybody you know. Everybody you see. Everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.
See more »

Alternate Versions

The movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance. See more »


Soundtracks

I Cover the Waterfront
Written by Edward Heyman and Johnny Green
Performed by The Ink Spots
Courtesy of MCA Records
See more »

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User Reviews

 
Quirky is not a dirty word...
18 March 2001 | by moonspinner55See all my reviews

...yet this eccentric comedy never quite found its niche with the public, and I don't know why. It's beautifully produced and written, wonderfully acted and endlessly weird (how many films can you say that about?). When sad-sack Tom Hanks decides to give up his life for a few days of luxury, we understand because his existence may be a lot like ours: glum office job with lime walls, dirty floors, unpleasant co-workers, bad coffee and fluorescent lights on the fritz. When he's out to sea, floating on his luggage, he sees shapes in the sky at night that light up his face; he may be in a precarious position, stranded on the ocean, but he's the happiest and most alive he's ever been. What a wonderful moment in a movie chock-full of smart, sneaky laugh lines and throwaway bits of business that stay with one, growing beloved in the memory. Screenwriter John Patrick Shanley, also making his directorial debut, has a fine sense of pacing and a keen eye for the absurd beauty in our midst. Only in the final reel does the construction of the plot stumble, however this is due to film studio interference. ***1/2 from ****


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