In 1960, a group of social outcasts who are bullied by a gang of greasers led by Henry Bowers are also tormented by an evil demon who can shape-shift into a clown and feed on children's fears and kill them. After defeating the demonic clown as kids, it resurfaces 30 years later and they must finish it off as adults once again.Written by
When the balloon bounces away from Beverly outside of her old house, it was being reeled in by a pulley and a fishing-rod from down the street. See more »
When Mike is in front of the class, he says that the disaster in 1900 had to do with the Derry Sandpipe. When he is older and explaining to the group a disaster every 30 years, he says that the 1900 disaster was the massacre at Drake's Creek, not at the Derry Sandpipe. See more »
During the opening credits, we see pictures of the "Lucky Seven" from their childhood like in a photo album. The final photo of the Paramount cinema segues into the actual one in Derry. The camera pulls back from the title IT, and it turns from white to red. In Pt 2, the final photo of a hotel segues into the one the "Lucky Seven" are staying at. At the end of both parts, Pennywise's laugh is heard. See more »
The following cuts have been made on the 2002 DVD.
Part 2 starts with Bill arriving at the Derry cemetery. This completely cuts out his conversation with the woman at the hotel checkout desk, along with the opening credits.
That's what most of the other commentators say, and I can't disagree. Part 1 (or the first half, depending on which format you're seeing it in) is great: pitting some excellent child actors (including future star Seth Green of Buffy the Vampire Slayer) portraying some in-depth characters fighting against a demonic clown. The second half seems more like a "gee-wow - look who we got" self-indulgence at casting Anderson, Thomas, Reid and Ritter, with very little to make us care about these folks. The ending is also an incredible dumbed-down letdown, although in all fairness I don't think they could pull off King's ending, and most of the audience wouldn't understand it if they had tried. There are a few touching moments in the last half, and Tim Curry couldn't screw up no matter how bad the writing is, but generally the two mismatched halves make for a mediocre film when it could have been so much more.
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