In 1960, a group of social outcasts who are bullied by a gang of greasers led by Henry Bowers are also tormented by an evil demon who can shape-shift into a clown and feed on children's fears and kill them. After defeating the demonic clown as kids, it resurfaces 30 years later and they must finish it off as adults once again.Written by
In the scene where the last six are in the library and the books are flying off the shelf, look in-between the top and second shelves and you will faintly see a flash of a metal object running the length of the books. It appears to be the device to knock the books flying off the shelves. See more »
During the opening credits, we see pictures of the "Lucky Seven" from their childhood like in a photo album. The final photo of the Paramount cinema segues into the actual one in Derry. The camera pulls back from the title IT, and it turns from white to red. In Pt 2, the final photo of a hotel segues into the one the "Lucky Seven" are staying at. At the end of both parts, Pennywise's laugh is heard. See more »
The DVD adapts the aspect ratio to 1.77:1. See more »
If you are of the King generation (lotsa books, bookstores, drugstores with books, tobacco stores with books, no computers or personal devices) then you probably have your own views on his place in the creative continuum.
My view is that his "early" works (including IT, THE STAND, SHINING) were his best. Wonderfully warped. And great fun to read.
That was the good news. The bad news is that, with rare exception (eg - SHINING) the B-grade studios that made easy money doing "tv movies" (you had to be there, otherwise you would not understand) generally snapped up his stuff and then did cheap, low-talent adaptations.
IT was one of King's more interesting works and this is one of the less awful adaptations. For insiders, most of the fun is in the first few scenes where one of the "characters" himself a writer explains that he has a job adapting his own work: "If anyone is going to mess it up, it may as well be me." The inside joke is that King himself was brought in as co-writer here because so many of the earlier TV adaptations were a disaster.
Again, one of the better ones. Lots of interesting faces here and there, including Ritter (an unappreciated dramatic talent) and Otoole looking radiant.
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