7.0/10
27,176
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Henry: Portrait of a Serial Killer (1986)

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1:46 | Trailer

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Henry, a drifter, commits a series of brutal murders, supposedly operating with impunity.

Director:

John McNaughton
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Popularity
4,402 ( 218)
9 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mary Demas ... Dead Woman / Dead Prostitute / Hooker #1
Michael Rooker ... Henry
Anne Bartoletti Anne Bartoletti ... Waitress
Elizabeth Kaden Elizabeth Kaden ... Dead Couple - Wife
Ted Kaden Ted Kaden ... Dead Couple - Husband
Denise Sullivan Denise Sullivan ... Floating Woman
Anita Ores Anita Ores ... Mall Shopper #1
Megan Ores Megan Ores ... Mall Shopper #2
Cheri Jones Cheri Jones ... Mall Shopper #3
Monica Anne O'Malley Monica Anne O'Malley ... Mall Victim
Bruce Quist Bruce Quist ... Husband
Erzsebet Sziky Erzsebet Sziky ... Hitchiker
Tracy Arnold ... Becky
Tom Towles ... Otis
David Katz David Katz ... Henry's Boss
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Storyline

Loosely based on serial killer Henry Lee Lucas, the film follows Henry and his roommate Otis who Henry introduces to murdering randomly selected people. The killing spree depicted in the film starts after Otis' sister Becky comes to stay with them. The people they kill are strangers and in one particularly gruesome attack, kill all three members of a family during a home invasion. Henry lacks compassion in everything he does and isn't the kind to leave behind witnesses - of any kind. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Yeah, I killed my Mama... See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 September 1990 (USA) See more »

Also Known As:

Henry, retrato de un asesino See more »

Filming Locations:

Northbrook, Illinois, USA See more »

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Box Office

Budget:

$111,000 (estimated)

Gross USA:

$609,939
See more on IMDbPro »

Company Credits

Production Co:

Maljack Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (edited for TV)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After the initial edit of the film was complete (running two hours and twenty-seven minutes), John McNaughton had to present it to Waleed B. Ali and Malik B. Ali. McNaughton couldn't bring them the original negatives, so he used a VHS video camera to shoot the edit, as it ran on the screen on the 16mm flatbed, which was used to edit the movie. According to McNaughton, when they saw this flickering, black and white, two and a half hour movie, with barely audible sound, the Ali brothers were far from impressed. See more »

Goofs

Some obvious matte lines are seen in the film from time to time. See more »

Quotes

Store clerk: How about those Bears?
Henry: Fuck the Bears.
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Crazy Credits

Special Thanks to: Tony the Cop James Marks Family The Edward Dedmond Family See more »

Connections

Referenced in Adjust Your Tracking (2013) See more »

Soundtracks

Lavalite Waltz
Written by Dan Haberkorn (as D. Haberkorn)
Performed by Dan Haberkorn
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Frequently Asked Questions

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User Reviews

 
A Movie To Keep You Up At Night...
4 December 2008 | by cchaseSee all my reviews

When I had the chance to see HENRY 2, I wasn't really sure if I had seen the first one, because so much time has passed since its release and the commotion it caused back in '86. Now having had the chance to see the 20th Anniversary Edition from Dark Sky Films, I'm not so sure that I didn't remember it, as much as I didn't WANT to remember...

John McNaughton presented the indie world with his calling card via this film, and simultaneously raised the bar for what "realism" is in these kinds of horror movies. And where the true horror lies is the way in which it deconstructs and de-glamorizes the image that Hollywood has created for serial killers. This is not a chronicle of a super-intelligent monster like Hannibal Lecter, or even the "channeled" virtuosity of a "noble" murderer like Dexter Morgan.

This could be anybody you walked past down the street yesterday, or saw at the stop light on the way home from work. And make no mistake about it...he works at a job, pays rent and buys groceries like anybody else. And if you happen to catch yourself alone with him at the wrong time, the next time anyone will ever see you again is at the morgue. Count on it.

Based loosely on the exploits of multiple murderer Henry Lee Lucas, HENRY was the breakout role for Michael Rooker (SLITHER), and together with co-stars Tom Towles as his dim-witted sidekick, Otis and Tracy Arnold as Otis' emotionally blasted sister, Becky, they paint a documentary-style picture under McNaughton's guidance, of how some people living on the fringes of society behave. This doesn't necessarily mean that they're wild-eyed, foaming-at-the-mouth-crazy, and therein lies the scariest part of all. These are the kind of blue-collar, salt-of-the-earth types that you might dismiss without giving a second thought...but the time might come when you do so at your own peril.

From the opening frames of the movie, you know you're in territory that's far removed from the usual slasher film. Henry is seen doing mundane, everyday things - buying cigarettes, finishing lunch at a local diner - and juxtaposed with those scenes are absolutely horrific shots of dead, mutilated bodies, as the sounds of how they died careen and crash underneath the discordant music along the soundtrack. Sorry, kids, but this isn't THE Texas CHAINSAW MASSACRE. In that picture, as within this one, a time and place is firmly established. But if you don't live in Texas, part of you can sort of remove yourself from the horror that wants to seep into your subconscious and stay there.

With HENRY, it becomes obvious that the locale is somewhere in metropolitan Chicago, but the urban landscape is familiar enough that it could be Atlanta, Detroit, Boston, New York, anywhere. It could be the city where YOU live now.

And by writing the characters and the events they're involved in with a totally detached, non-judgmental eye, McNaughton and writing partner Richard Fire reveal a horror more numbing and penetrating than a thousand Freddy Kruegers or Michael Myers. There are people in the world who actually do these kinds of things, and they're out there NOW...and it's only by the grace of providence or some cosmic lottery that we've won, that we don't ever run into these people...or that some of us unfortunately do.

Enough has already been written about the remarkable performances of all the actors involved, so the only thing I can add is that if you've never seen HENRY, you need to watch it all the way through at least once. I can safely say that you will see why horror is the way it is today, and how so many filmmakers have misinterpreted what director McNaughton was saying with HENRY.

With the searing images still fresh in my mind, I can only say this...I feel like I need to take about a hundred hot showers, and none of it will ever wash away how nasty and horrible it made me feel. Which I believe is exactly what the makers of this film were trying to accomplish.

I sincerely hope that once you've seen this, you would feel the same. And I would be really worried about anybody who doesn't, or worse, who said they "enjoyed" it.


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