The Grifters (1990)

A small-time conman has torn loyalties between his estranged mother and new girlfriend--both of whom are high-stakes grifters with their own angles to play.

Director:

Stephen Frears

Writers:

Jim Thompson (novel), Donald E. Westlake (screenplay)

Stars:

Anjelica Huston, John Cusack, Annette Bening

Nominated for 4 Oscars. Another 10 wins & 17 nominations.

Cast

Cast overview, first billed only:
Anjelica Huston	...	Lilly Dillon
John Cusack	...	Roy Dillon
Annette Bening	...	Myra Langtry
Jan Munroe	...	Guy at Bar
Robert Weems	...	Racetrack Announcer
Stephen Tobolowsky	...	Jeweler
Jimmy Noonan	...	Bartender
Richard Holden	...	Cop
Henry Jones	...	Simms
Michael Laskin	...	Irv
Eddie Jones	...	Mintz
Sandy Baron	...	Doctor
Lou Hancock	...	Nurse
Gailard Sartain	...	Joe
Noelle Harling	...	Nurse Carol Flynn

Storyline

Lily works for a bookie, placing bets to change the odds at the track. When her son is hospitalized after an unsuccessful con job and resultant beating, she finds that even an absentee parent has feelings for her child. This causes her own job to go wrong as well. Each of them faces the down side of the grift.

---

Plot Keywords:

hidden money | femme fatale | mother son relationship | con | older woman younger man relationship | 

---

Taglines:

Seduction. Betrayal. Murder. Who's Conning Who?

---

Genres:

Crime | Drama | Thriller

---

Certificate:

R

Details

Official Sites:

Official site

Country:

USA Canada

Language:

English

Release Date:

25 January 1991 (USA)

Also Known As:

Ambiciones prohibidas

Filming Locations:

Arizona, USA

Box Office

Opening Weekend USA:

$125,195, 21 January 1991, Limited Release

Gross USA:

$13,446,769

Company Credits

Production Co:

Cineplex-Odeon Films

Technical Specs

Runtime:

110 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The actors who play the sailors, are actors from John Cusack's New Crimes theater group from Chicago.

---

Goofs

Lily unscrews both light bulbs in the hallway outside Roy's apartment. In a following cut, Roy is seen entering his apartment from a well lit hallway.

---

Quotes

[first lines]
Voice-over: Around the country the bookies pay off winners at track odds. It's dangerous when a long shot comes in. Unless you have somebody at the tracks to lower those odds.

---

Connections

Features Ms. Pac-Man (1982)

---

Soundtracks

DO YOU DO YOU LOVE ME
Performed by Dreamworld
Words & Music by Pete Theodore and Emilie A. Bernstein (as Emily Bernstein)

User Reviews

From another era.

Man, talk about a slow-burn. Going into The Grifters I was expecting a slick and quick-paced con thriller, but what I got was something much darker and much more absorbing. Director Stephen Frears, working off a script by Donald Westlake (adapted from the Jim Thompson novel) lets these characters get established before they start to bring us into the tangled web they are all weaving.

Roy Dillon (John Cusack) is a con man pulling small jobs every day to slowly build up his savings, while his girlfriend Myra Langtry (Annette Bening) is doing anything she can to get by and his mother Lilly (Anjelica Huston) is working on a long play of her own. The tagline of "Who's conning who?" always makes me roll my eyes, but it's actually an accurate portrayal here, as these three play each other back and forth, while the film itself is pulling the veil over the audience.

The Grifters is a brooding noir that throws back a lot to the '40s and it's Hitchcock roots, including some direct homages that feel appropriate for the story rather than cheap rip-offs. The film delves into some potentially melodramatic moments at times, but Frears is able to keep things in tune with it's seething roots as opposed to letting things get too theatrical.

All three actors are working at top form here; Cusack was just starting to break out and this role should really be considered more among the best of his career, Huston steals the show in every scene and Bening (someone I've always despised) is seductive and very compelling. I thought that Bening was phoning it in a bit at first, but as more is revealed about the character you realize that she's conning herself as much as she is everyone else. Frears crafts this one with a great tone that the actors play into very well, with some powerful sexual undertones and a dynamite finale.