Henry Hill might be a small time gangster, who may have taken part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who might have set their sights a bit higher. His two partners could kill off everyone else involved in the robbery, and slowly start to think about climbing up through the hierarchy of the Mob. Henry, however, might be badly affected by his partners' success, but will he consider stooping low enough to bring about the downfall of Jimmy and Tommy?Written by
Colin Tinto <email@example.com>
The film's soundtrack did not include many of the songs featured in the film, most of them being the tracks played during the lengthy scene where Henry rushes around trying to make his drug deal. The songs sampled during the scene are, in order, "Jump Into the Fire" by Harry Nilsson, "Memo From Turner" by Mick Jagger, "Magic Bus" by The Who (from the Live at Leeds album), "Monkey Man" by The Rolling Stones, "Mannish Boy" by Muddy Waters, "What is Life" by George Harrison, "Mannish Boy" again, and "Toad" by Cream. See more »
The bass player in the band in the restaurant in 1963 is playing a Gibson EB-2D, which was introduced in 1966. See more »
A television version of the film was prepared by director Martin Scorsese, which retained a good portion of the film's graphic violence. It also retained much of the profanity, minus the F- and S-words, which were dubbed over. Scorsese did a televised introduction upon the film's network premiere. See more »
A Masterpiece That Gets Better With Each New Viewing
**** (out of 4)
Martin Scorsese's masterpiece about Henry Hill (Ray Liotta), a man who grew up hoping to be in the mob and he got his but crime does not pay as the old saying goes. GOODFELLAS has been called one of the greatest mob movies ever made and it's been called the best film of the 90s as well as one of the greatest films ever made. It certainly goes on my list as one of the greatest movies ever made and each time I view the thing I can't help but be amazed at the brilliance on screen. It's really does seem as if this isn't a movie because the thing is so perfect in every way that it's almost hard to believe that it's real. Even though everything in this movie is great there's no doubt that every ounce of credit belongs to Scorsese.
There have been wonderful crime pictures going all the way back to the silent days so the director was behind the eight ball but instead of just delivering a great movie he instead goes all out and really creates a film unlike anything we've ever seen before. The way he films the violence, shows the good times and the bad times. Everything is so flawless that you really do forget that you're watching a movie because it comes off like you're a fly on the wall witnessing all of this stuff first hand. There's the now legendary camera shot going through the restaurant, there's the terrific music score and of course the violence that really shakes you. One could argue that we've seen this type of story countless times but it's so fresh here that you can't help but feel as if you're seeing it for the first time.
There are so many brilliant moments here but special credit has to go to the final twenty-minutes or so when Hill finally starts to crack due to all the drugs. The fast-paced nature of this sequence is among the most perfect filming you're ever going to see because by the time it's over you're going to think that you too are high on drugs. Another amazing thing that Scorsese does is get you into the events in these people's lives. The good times early on are so much fun that you can see why someone would select to be in the lifestyle. The camera doesn't shy away from capturing these moments including the high times in the nightclubs with the women and the money. However, Scorsese also nails the downside when everything starts to crumble and the violence is so shocking and brutal that you then realize that this lifestyle only ends one way and you're thankful that you're not involved in it.
Another major plus are of course the performances. Liotta is perfect in the role of Hill and especially when you consider he must carry the film over the more famous actors. I thought Liotta perfectly nailed not only the young, energetic Hill but he really pulled off the drug-crazed maniac. DeNiro, as usual, is also terrific in his part as he brings so much fire and energy to the character and can cause you to fear him with just a look. Joe Pesci deserves his Best Supporting Actor Oscar as there's no doubt that he delivers one of the finest villain roles in the history of film. Lorraine Bracco and Paul Sorvino are also impressive as are the rest of the supporting players even down to the bit parts.
GOODFELLAS is without question one of the greatest films ever made and like all classics it's a movie that keeps getting better each passing year. Scorsese has made many great films in his career and this here is certainly among his best.
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