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The Godfather: Part III (1990)

The Godfather Part III (original title)
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In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
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Nominated for 7 Oscars. Another 6 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Don Michael Corleone
Diane Keaton ... Kay Adams Michelson
Talia Shire ... Connie Corleone Rizzi
Andy Garcia ... Vincent Mancini
Eli Wallach ... Don Altobello
Joe Mantegna ... Joey Zasa
George Hamilton ... B.J. Harrison
Bridget Fonda ... Grace Hamilton
Sofia Coppola ... Mary Corleone
Raf Vallone ... Cardinal Lamberto
Franc D'Ambrosio ... Anthony Vito Corleone
Donal Donnelly ... Archbishop Gilday
Richard Bright ... Al Neri
Helmut Berger ... Frederick Keinszig
Don Novello ... Dominic Abbandando
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Storyline

In the final installment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protege's love affair with his daughter. Written by ahmetkozan

Plot Summary | Plot Synopsis

Taglines:

Real power can't be given. It must be taken. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Italian | German | Latin

Release Date:

25 December 1990 (USA) See more »

Also Known As:

The Death of Michael Corleone See more »

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Box Office

Budget:

$54,000,000 (estimated)

Opening Weekend USA:

$6,387,271, 25 December 1990

Gross USA:

$66,666,062

Cumulative Worldwide Gross:

$136,766,062
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (The Godfather Trilogy 1901-1980 VHS Special Edition)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby SR (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Because of the popularity of the two earlier Godfather movies, Frank Sinatra reversed his anti-Godfather stance and expressed interest in playing Don Altobello. He lost interest because of the size of the paycheck for the role, and it went to Eli Wallach. Sinatra got his role in From Here to Eternity (1953) when Wallach backed out because of the low pay for that movie. See more »

Goofs

There are numerous errors in the use of Latin by priests in the film. In Saint Patrick's where Michael Corleone is honored by the Church, the presiding clergyman pronounces the Latin word et ("and") as "ay", rhyming with "day", as if it were French. It is in fact pronounced like it's spelled, to rhyme with "wet" and "pet." Later when Cardinal Lamberto (later Pope John Paul I) absolves Michael Corleone, he ends with the standard "in the name of the Father," etc., in Latin. But he wraps it up saying "et Spiritus Sanctus." The correct Latin is "et Spiritus Sancti." But Spiritus is not a nominative, it's the genitive (possessive) singular of a fourth declension noun, and the correct form of the adjective is Sancti. Of course these very mistakes won't be noticed by many viewers, but they will be noticed by anybody who took first year Latin and/or had any training in the Church. See more »

Quotes

[first lines]
Michael Corleone: [voiceover] My dear children: It is now better than several years since I moved to New York, and I haven't seen you as much as I would like to. I hope you will come to the ceremony of papal honors given for my charitable work. The only wealth in this world is children; more than all the money, power on earth, you are my treasure.
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Crazy Credits

"Dedicated to Charlie Bluhdorn who inspired it." See more »

Alternate Versions

The DVD release features an alternate beginning which features an extended version of the meeting between Michael and the Archbishop. See more »

Connections

Referenced in Cinematic Excrement: RoboCop 3 (2016) See more »

Soundtracks

VITTI NA CROZZA
Written by Francesco Li Causi
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Frequently Asked Questions

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User Reviews

Not as bad as everyone says – but suffers from the pressure of the first two
25 July 2002 | by bob the mooSee all my reviews

Michael Corleone has sold his illegal business in an attempt to win back his family. However he must still contend with up and coming mobsters such as Vincent, who wants to work for him and Joey Zasa, who wants to fully take over the Corleone family's territory. When the Corleone family begin to deal with the Vatican and plan to buy out their share of an multinational corporation he finds that the Vatican is just as corrupt as his illegal operations were. Despite his best efforts he finds himself sucked back into the world he has tried to leave behind.

Easily one of the most hated films ever made – or at least you'd think it was by the critical mauling it got for a raft of reasons. However watching it now it isn't that bad and really it only suffers from comparison with the two films before it. But lets be fair, Coppola has made 3 or 4 of the best films ever made – did we really expect another one from him?

The film has a reasonable plot and brings the trilogy to a logical end. The plot however does have it's weaknesses – for example it starts well with Michael's attempt to `get out' being hampered by other families on their way up. But when it starts to get involved with money laundering through the Vatican and the corruption therein, it starts to lose it's way and it's focus on Michael.

The main weakness comes in the characters. Would Michael really go straight just to get his family back – and how come he managed to do it so easily up till the time of the film? Worse still is Connie who seems to have become some sort of Mafia widow when that was not part of her character in the previous films – would she really have got that twisted or influential? Little problems like these just bugged me and they also fed into the performances.

For such a great cast the acting was very average. Pacino is good but I sensed he didn't see Michael turning out this way and he didn't convince occasionally. Keaton has little to do and again I felt that her approach to Michael was too forgiving, although maybe I'm not allowing for time. As I Siad before Shire was doing some sort of `Bride of Frankenstein' act as Connie and I didn't buy it for a moment. Garcia was OK and faces like Wallach, Hamilton and the like helped. The two worst performances were sadly two of the main ones. First Joe Mantegna…..now it wasn't that it was bad – it was more that I've seen him do so much better. Here all I could think of when I watched him was how his character and his acting was very like his Simpsons' character of ` Fat Tony'. Bare in mind Fat Tony is meant to be a spoof of the Mafioso characters and you'll see why I didn't like it.

The worse performance was Sofia Coppola. Now she was vilified at the time for her role – a bit unfairly and cruelly but she was still bad. She has this strange scowl on her face for most of the film and she acts like a spoil little girl. She also has no realism in her voice and speaks in the same constant tone – that Vincent would fall for her was just a leap of faith too far to accept. The cast does have others who are unused or underused – Fonda being the best example. Why did she bother with that role!?

Overall, this is miles behind the other two Godfathers and it has plenty of weaknesses. However at it's heart it's a good try as the concluding part and the story is watchable. It's not bad, it just is average and it feels like the director and large sections of the cast felt they just had to turn up to make a third classic film.


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