Sam Wheat is a banker, Molly Jensen is an artist, and the two are madly in love. However, when Sam is murdered by friend and corrupt business partner Carl Bruner over a shady business deal, he is left to roam the Earth as a powerless spirit. When he learns of Carl's betrayal, Sam must seek the help of psychic Oda Mae Brown to set things right and protect Molly from Carl and his goons.Written by
At a 2013 AFI Night at the Movies screening of the film, Demi Moore told the audience her initial feelings on the film. "It's a love story, and it's a guy, a dead guy, trying to save his wife, and there is a comedy part, but really, really it's a love story", Moore said. "And I thought, 'Wow, this is really a recipe for disaster.' It's either going to be something really special, really amazing, or really an absolute bust." She went on to talk about what made the film special. "I think the beauty in this film is that none of us knew, and the alchemy that came together with Whoopi and Patrick, and our Film Editor, Walter Murch, and Adam Greenberg, our DP, it just had a magic." See more »
With the closing credits the spelling of "Cemetery Ghost" is wrong. The credits spell it as Cemetary Ghost, the correct spelling should be CEMETERY. See more »
This may not be a classic, but it comes close. It has one big attribute of most great movies, a lot of great scenes. The story is about Sam, who has a great life, and this movie is the opposite of CLICK. Unlike that stupid movie, this guy doesn't want to fast forward his life with a beautiful loving wife and great career. But it is taken away from him when he is killed. He becomes a ghost. And that might be one of only two flaws in the story. Why he can project his needs when billions of other dead souls can't. But a great movie like this endears us to the characters and plot enough so that this is a very trivial flaw. He finds he can communicate with a fake spiritualist (Whoopi, in a role few could do as well), which is the second flaw, since we have a feeling we've seen this character in this instance all too often. Hoever, again, if the movie is good enough we can overlook this. Without making spoilers, I can only add that the movie satisfies the viewer. There is romance, humor, logic, adventure, suspense, and great scenes. Among the great scenes that make the movie (I'll only mention some) are the scene where Sam follows his friend to the killer's apartment (actually just about every scene with his friend is classic), the scene where Whoopi goes to the bank, the scene where she leaves the bank, the scene where Sam is a ghost in the office with his friend, the scene where the friend hits on Sam's woman, the first scene with the little dark men, the second scene with the little dark men...I could go on and on. What is lost in all of this is one of the greatest emotional bits of capturing character ever, when Sam realizes what is going to happen to an evil man when the little dark men appear the second time, and he expresses true sorrow and compassion for a man who stole so much from him. This is one of the most poignant and heroic scenes ever in any movie I would find it very hard to believe anyone could not enjoy this movie. Truly a winner. Know what? This is a classic.
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