A medical student sets out to recreate his decapitated fiancée by building her a new body made of Manhattan street prostitutes.A medical student sets out to recreate his decapitated fiancée by building her a new body made of Manhattan street prostitutes.A medical student sets out to recreate his decapitated fiancée by building her a new body made of Manhattan street prostitutes.
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The film takes obvious influence from the classic Frankenstein story, and it should appeal to anyone that is a fan of cheesy 80's gorefests. Of course, this was released in 1990, but that's incidental. As mentioned, the main character's girlfriend is killed in a lawnmower accident. The accident itself is a comic masterpiece; it's so absurdly silly! Anyway, this accident leads our hero to the brink of madness (to which his mother responds to by asking him if he would like a sandwich), and he decides to make his girlfriend a new body from the parts of various prostitutes that he picks up. Of course, it doesn't quite go to plan, which leads him into all manner of weird troubles. James Lorinz takes the lead role of Jeffrey Franken (and his girlfriend's surname is Shelly...can you spot the tribute?). Lorinz is great as the hero for the movie, he spends a lot of it acting on his own and he more than holds the audience's interest with his speeches and great accent. A film like this needs an offbeat star; and it has one in Lorinz.
Overall, this terrifying tale of sluts and bolts is sheer comic brilliance, and if you're a fan of weird and wonderful cult films, and even if you're not; you won't want to miss Frankenhooker.
This film is a must for lovers of B cinema and films which mix horror, gore and comedy. Franken's character is very mad as he talks alone all the time and inserts a power drill into his head everytime he is about to have some nervous problems under pressure. Usually when characters talk all the time without reasons in films it just shows how bad the script is, but in this case, the talking (especially for himself) is normal for this kind of crazy doctor and thus it doesn't feel irritating and bad choice.
Henenlotter's other films like Brain Damage (1988) and Basket Case (1982) are so fantastic as they mix humor and horror so uniquely. They are creepy and very funny (and clever especially in Brain Damage's case) at the very same film. Frankenhooker isn't an exception and the first lawnmower scene convinces the viewer what will the film be like. There are many severed limbs and body parts, but they don't seem repellent as the tone of the film is so tongue in cheek and not wicked. The scene in which some ten hookers EXPLODE is as funny as possible, but not gory at all, since the film had to get an R rating. It is even funnier now as crimson doesn't fly all the time, they just explode!
The mutants and attached body parts at the end are really creepy and almost nightmarish, and reminded me of Brian Yuzna's Bride of Re-Animator which has similar monsters. The effects work in Frankenhooker is fantastic all the way, and it all is now perfect, and wouldn't work anymore if done with computers or CGI. The pace is fast all the time and the viewer doesn't get bored. The Frankenhooker herself is also pretty outrageous and very deadly a hooker! The lady who plays her part is very talented with all her face expressions and movements. I like Basket Case and Brain Damage even more, but still Frankenhooker is a little classic by this talented and mad film maker genius. I give Frankenhooker at least 8/10 now after the first viewing.
The mad scientist here is a young man named Jeffrey Franker who lives with his parents and creates his hooker monster in their garage. He has a brain with an eyeball in it that he experiments with in the house, and he uses an electric drill to literally prod his brain to come up with good ideas. It's no wonder he didn't finish med school. His garage laboratory is essentially what one would expect from generations of Frankenstein films following in the footsteps of the original design of the 1931 version, full of gizmos, beakers and the spark of life from a lightning bolt. To this, Jeffrey adds his estrogen-based blood serum, which keeps the body parts fresh. Jeffrey's girlfriend, whose name Elizabeth Shelley is a combination of the names of Dr. Frankenstein's wife from the novel and of the author of that novel, is torn to pieces by a runaway lawn mower. Jeffrey preserves what he can of her in his serum and seeks to remake the rest of her out of the body parts of prostitutes. He kills these women with an especially lethal crack formula of his own design, which causes them to explode.
It may seem pointless to analyze a film such as this, which was clearly intended to be goofy and trashy fun not to be taken seriously. But, its overriding joke regarding the objectification of women is asking for it. From the start, Elizabeth is shamed for her supposed excess weight. Jeffrey plays doctor with the prostitutes to find the best bits for her re-animated corpse--grading the women on their arms, legs and breasts and writing a check mark on his preferred buttocks. The prostitutes are stereotyped as only wanting money and drugs. I'm sure film theorists of the Freudian-Feminist, Laura Mulvey persuasion could and probably already have had a field day with this one. To top it off, the film's conclusion, as poetic justice, is a literal realization of castration anxiety. I'd like to sit in on a film theory class that screened "Frankenhooker," as opposed to old chestnuts such as the male gaze of "Rear Window" (1954). Freudian film theory, after all, already always has me rolling my eyes and chuckling--something "Frankhooker" does just as well.
The "special" effects are deliberately bad, but match the tongue-in-cheek story. I may even track down the unrated version, which is two minutes longer.
How Director Frank Henenlotter kept everyone on the same page here is a mystery. No one stood out for (inappropriately) bad acting. The weird set pieces and oddball props work great. There is a nice progression from bizarre low-key humor to complete absurdity. It's really well constructed.
I happily give this six (6) stars.
PS Patty Mullen is a poster child for a blonde who IMHO looks better with black hair.
Storyline
Did you know
- TriviaThe film cost $1.5 million making it Henenlotter's most expensive (at the time), but there were still budgetary issues. The producers told him they had used up all of the allotted funds for pyrotechnics during the exploding hookers scene to which he replied "How the fuck am I gonna film the lab scene?!" He ended up calling in a favor to do some "unlicensed pyrotechnics" for the shoot. Lorinz recalls the guy finishing the setup and telling him "Don't worry, it's maybe safe."
- GoofsThe muscle chart that Franken is drawing on with the red sharpie in the beginning show the breasts as muscles. That is anatomically incorrect.
- Quotes
[Jeffrey talks to his mother for comfort]
Jeffreys Mother: Oh, Jeffrey... I'm worried about you.
Jeffrey Franken: Yeah - Well so am I, Ma. Something's happening to me that I just don't understand. I can't think straight anymore. It's like my reasoning is all, uh, twisted and distorted, you know? I seem to be disassociating myself from reality more and more each day. I'm anti-social. I'm becoming dangerously amoral. I - I've lost the ability to distinguish between right from wrong, good from bad. I'm scared, Ma. I mean, I feel like I'm - I'm plunging headfirst into some kind of black void of sheer and utter madness or something.
Jeffreys Mother: You want a sandwich?
- Crazy creditsNo animals or people were killed or injured in the making of this movie.
- Alternate versionsThe unrated version, which runs about 1 minute and 45 seconds longer, includes longer scenes, and shows more nudity and violence, especially the prostitutes and the blow-up scenes. It originated as a 'Not Rated' VHS that could be rented from mom & pop video stores, but has since been released on DVD and Blu-ray by Synapse Films.
- ConnectionsFeatured in Beyond the Wicker: Making 'Basket Case 2' (2007)
- SoundtracksNever Say No
Written by Roger Greenawalt and Clifford Lane
Performed by Roger Greenawalt and Clifford Lane
Details
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $205,068
- Gross worldwide
- $208,515
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