A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
A seemingly endless series of grisly killings that bear the trademark of the mass murderer, the Gemini Killer, terrorise the district of Georgetown. To further complicate matters, even though it's been seventeen long years since the killer's execution and that fateful night of pure terror in The Exorcist (1973), the sceptical police officer, Lieutenant William F. Kinderman, is still obsessed with solving the baffling case, as the death toll keeps rising. In the meantime, in the city's high-security psychiatric institution, a cryptic inmate who bears an uncanny resemblance to the late Father Damien Karras emerges from his deep catatonic state, claiming that he has all the answers Kinderman needs. But, who is the mysterious Patient X? Does the same unholy force that tormented Regan MacNeil have something to do with the brutal demonic murders?Written by
In addition to Patrick Ewing, there are several others associated with the nationally renowned Georgetown basketball program such as Michael Jackson ('86), Charles Smith ('89), and Jonathan Edwards ('89) walking past the chapel prior to the Father Kanavan murder scene. Also, in the scene where Father Dyer and the school President have breakfast, there's an insert, where Head Coach John Thompson, Assistant Coaches Craig Esherick and Mike Riley, and Academic Advisor Mary Fenlon, are walking across the courtyard. William Peter Blatty is a huge fan of the Georgetown basketball program. See more »
When Kinderman connects the murder victims in this film to the case in the first movie, it is revealed that one victim, the African American boy, is connected because it was his mother that determined that Reagan was speaking backward English. However, when you watch the first movie, the person that determines the language is a man that is Caucasian. See more »
Death, be not proud, though some have called thee mighty and dreadful, for thou art not so; For those who think'st thou dost overthrow die not, poor death, nor yet canst thou kill me.
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Some European prints are rumored to include a scene depicting the violent killing of a priest, removed from the US version after unsuccessful sneak previews. A shot from this scene, showing the beheaded priest sitting on a bench and holding his own head in his lap, can be seen in the French publicity stills. See more »
Most people go to horror movies for the emotional thrill, the gore and/or the adrenaline high of having things pop out and yell "boo!" Make no mistake: you won't find much of that here. So if you're looking for a movie that will make you spill your popcorn, you might wanna move on.
But if you're looking for a true psychological thriller (psychological = appealing to the intellect, not the viscera), this will be one hell of a treat for you. The dialogue is fantastic. The acting is superb (Brad Dourif & George C. Scott on the same screen. What could be better?). The philosophy is provocative. And the mood is as thick as it gets. Much of the movie is composed of a series of dialogues between two people in a dark room. If you liked the second half of APOCALYPSE NOW, you will enjoy this immensely.
I rank this movie as one of my all time English language faves with the likes of AMADEUS, 2001, Alfred Hitchcock's ROPE, PICTURE OF DORIAN GRAY, and CITIZEN KANE. I'm serious; it's that good. Unfortunately, it was marketed to the wrong audience, and that's why it received such low ratings. Let me repeat: this is not a spooky movie. It's actually a very intellectual story with a lot of big words, literary overtones and powerful acting, and it's one of the few movies which I consider superior to the book (but of course writer Blatty directed this, so I'd expect no less).
Now don't get me wrong; it's anything but dull. There is one scene in particular that will scare the living crap out of you! It's a long scene done with one still camera, no music, no sound, hardly any action... but egads it's probably the most suspenseful/frightening thing I've ever seen in any movie.
In the style of the classic thrillers, so much is left to the imagination of the viewer--and oh there is PLENTY of disturbing, shocking stuff to imagine. In one conversation you'll hear about a murder so vile that you'll never want to hear the word "catheter" again. And the beauty is that you never see a thing. If this subtle style appeals to you, then you certainly won't be disappointed.
10/10. And I don't give 10s very often.
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