Death at Oslo Central (1990) Poster

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7/10
Charming failed flick
Uneken22 March 2010
Warning: Spoilers
This is a sympathetic film, with many, many weak spots, such as the crew members that are starring in one of the scenes, perfectly reflected in a dark car window. The dialogue is often forced, so it's very difficult to really get into the film. But visually it is not bad at all and generally has a very authentic feel. The characters are never far away from reality and Oslo, back in 1990, must have been a terribly depressing place, according the portrait that this film paints of it. Oslo S (the Central Station), still is a gathering place for junkies, 20 years later. For a teenage public it is a very nice coming-of-age film with a good introduction to the darker side of growing up in a big city.
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5/10
Decent film version of young adult crime fiction
triplegrim30 October 2014
Much has been said of the dialogue, and this films cult status. It is a 1990 film version of a 1988 book, and much of the dialogue is straight from the book. It is meant to capture the 1980s sociolects, and is comically dated today, though reasonably accurate in its depiction.

Technically the film is quite good, the city shots of Oslo, with moving camera and on location scenes are quite good. The director makes the most of her film debut, and Døden på Oslo S far exceeds its two sequels. Having 15 year olds playing 15 year olds, is an artistic choice, that gives it a genuine feel.

Decent film.
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5/10
Time has not been to kind to this Norwegian semi-classic
fredrikgunerius30 November 2023
The social drama follows in the footsteps of Lasse & Geir, only without the 1976 cult movie's idiosyncrasy and angle; the crime story draws inspiration from Christiane F or even Hard asfalt, but lacks tension and has an aura of puerility about it. Time has not been to kind to this Norwegian semi-classic, which was a considerable box-office success back in 1990 and won the Amanda Award for Best Children's or Youth Film in 1991. Seen today, it's hard to find exactly what merited that, except perhaps the success of the Ingvar Ambjørnsen novel it was adapted from, or the film's undoubtedly good intentions. Young Håvard Bakke gives the best among a host of otherwise rather affected performances. The actors get little help form the relatively inexperienced director Eva Isaksen, who seems to have been a little out of her depth with both the dramatic material as well as the action sequences towards the end. Followed by two sequels: Giftige løgner (1992), and De blå ulvene (1993), both helmed by different directors.
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10/10
The best Norwegian movie ever made.
andreas-berg-119 July 2005
I first saw the movie when I was nine, and loved it right away. But even though I was quite young the first time I saw it, even when I see it now, I think it's still great. (I'm 24) This year it will finally be released on DVD, a moment've been waiting for for a long time, since my VHS version is a bit tired.

The movie offers a good soundtrack, and a marvelous picture of Oslo, the Norwegian capital. It also shows the darker sides of being a kid in the city, with drugs and prostitution.

See this movie, and judge for yourselves, I give it a perfect ten! Andreas.
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Not much fun...
Lakki_FLY20 January 2004
..unless you think bad child-actors are hilarious, like I do. Especially Norwegian ones. Set in Oslo, the story is about two teenagers trying to solve a crime-mystery concerning under-aged prostitutes. This movie never gets suspenseful, though, although it tries. I think this is the first of three "Pelle og Proffen" movies, which are all based on Ingvar Ambjørnsens books about two crime-solving teenagers.

Actor Bjørn Sundquist does a somewhat memorable performance, and there are many memorable quotes, at least if you understand Norwegian. Has become a bit of a cult-movie over the years, because of unintentionally funny dialouge and some poor extras and supporting roles, like the character "Filla". The main characters Pelle and "Proffen" both suffer from bad acting, and I don't think the actors ever starred in anything memorable again.
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