John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Jonathan Ke Quan
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After the terrifying events in LA, John McClane (Willis) is about to go through it all again. A team of terrorists, led by Col. Stuart (Sadler) is holding the entire airport hostage. The terrorists are planning to rescue a drug lord from justice. In order to do so, they have seized control of all electrical equipment affecting all planes. With no runway lights available, all aircraft have to remain in the air, with fuel running low, McClane will need to be fast.Written by
TV Versions, including that shown on the WB Network, edit out much of the violence and much of the profane dialogue is redubbed. Willis's redubbing is quite obvious because the new voice sounds nothing like Willis. Despite the overt dubbing of Willis's dialogue by a sound-alike actor (who really doesn't sound like Willis, for that matter), this version also utilizes dialogue from other characters to replace John McClane's. As John is leaving the elevator through the roof, he tells Samantha to "Fuck off." In this TV version, the word "fuck" is dubbed over with William Sadler saying "joke" from earlier in the film. See more »
...but other than that, there's very little going against the second in the series. It helps (but not enough) that the character realizes he's basically in a sequel. There are some minor variations in the formula, but basically the movie relies on the Bruce Willis' charisma and humor, and elaborate action sequences. William Sadler is okay, but no Alan Rickman (or Jeremy Irons in #3). It's still enjoyable, though.
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