The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Johnny has just been released from prison, and gets a job in a café beside waitress Frankie. Frankie is a bit of a loner, but Johnny is determined their romance will blossom.
Director:
Garry Marshall
Stars:
Al Pacino,
Michelle Pfeiffer,
Hector Elizondo
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Director:
James Foley
Stars:
Al Pacino,
Mary Elizabeth Mastrantonio,
Jerry Barone
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
A lawyer is forced to defend a guilty judge, while defending other innocent clients, and trying to find punishment for the guilty and provide justice for the innocent.
A Puerto Rican former convict, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of N.Y.C.
All Tess Trueheart wants is to settle down to a quiet life with her boyfriend, detective Dick Tracy. But there's something pretty rotten going on in town, with someone pretty rotten behind it, and Tracy has his hands full with the likes of villain Big Boy Caprice and with the almost irresistible Breathless Mahoney.Written by
Jeremy Perkins {J-26}
As a fan of the comic strip, Warren Beatty was initially offered the director's job. He signed on only if he could play Tracy. The producers, having trouble casting the lead role, happily complied with his wish. See more »
Goofs
When Dick and Tess are in the diner with The Kid, the boy finishes a glass of milk and then runs for the door. Tracy puts him back in his seat, during which time the glass has refilled itself. See more »
Quotes
[first lines]
Radio Announcer:
Gangland enforcers broke the arms of an elderly newsdealer this afternoon when he refused to share his week's receipts with them. Stacks of newspapers were tossed in the gutter as the thugs wrecked the business and made their getaway. Lunchtime crowds were paralyzed by the suddenness of the crime. Not a hand was raised in protest.
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Crazy Credits
Touchstone logo appears in black and white in the opening credits. See more »
This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.
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This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.