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Darkman (1990)

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A brilliant scientist left for dead returns to exact revenge on the people who burned him alive.

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(story), (screenplay) | 4 more credits »
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4,108 ( 289)
3 wins & 8 nominations. See more awards »

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Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »

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Fan film depicting Darkman.

Director: Chris R. Notarile
Stars: Nick Grock, Roberto Lombardi, Calvin J. Stewart Jr.
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Cast

Cast overview, first billed only:
... Peyton Westlake / Darkman
... Julie Hastings
... Louis Strack Jr.
... Robert G. Durant
Nelson Mashita ... Yakitito
Jessie Lawrence Ferguson ... Eddie Black
Rafael H. Robledo ... Rudy Guzman
... Skip (as Danny Hicks)
... Rick (as Theodore Raimi)
Dan Bell ... Smiley
... Pauly
... Martin Katz
Arsenio 'Sonny' Trinidad ... Hung Fat
... Convenience Store Clerk
Nathan Jung ... Chinese Warrior
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Storyline

Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Who is Darkman? See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 August 1990 (USA)  »

Also Known As:

Czlowiek ciemnosci  »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$8,054,860, 24 August 1990, Wide Release

Gross USA:

$33,878,502

Cumulative Worldwide Gross:

$48,878,520, 31 December 1991
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

[31:51]The computer reads that facial reconstruction will take 571 hours and 57 minutes this comes out to 23 days, 19 hours, and 57 minutes. See more »

Goofs

During the helicopter/freeway sequence, the same clown-faced ice cream truck gets blown up twice. See more »

Quotes

[first lines]
Eddie Black: [on phone] 'Cause he's an asshole! Tell him no. Tell him no, too. Him, tell "fuck you." No, I'm gonna be here a minute. Got some guy coming up who thinks he's gonna muscle me out of my property. What's it matter! Just another tough guy, that's all.
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Crazy Credits

The opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette. See more »

Connections

Referenced in Honest Trailers: Taken (2015) See more »

Soundtracks

Give It To Me
Written and Performed by Judy Valenti
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Frequently Asked Questions

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User Reviews

 
a little better in the mind thinking about it more, an above-average masked avenger saga
31 May 2006 | by See all my reviews

Sam Raimi, at a definite cross-roads in his career, takes on his first kind of 'major' project (err, bigger than the other films he made in the 80's) and by evidence here he was up to the challenge. But those who come from the Evil Dead films expecting a dark side crossed with some very sick, amazing gags and over-the-top jokes might wonder where the latter is at. It's a kind of realized vision of what was both portrayed on radio in the 40's (the Shadow, Darkman, similar as well as the side villains) as well as graphic novels of the 80's. It's violent, and in a Hollywood 'action' mode most of the time with big explosions, a fairly high body count, and suspense as a man seeks revenge when not completely whole. It also is the kind of pre-film, which may be dumb to say as 'pre' gets overused, but one can see the relation to comics like Spawn, V for Vendetta, and of course the future filmmaker of the solid Spiderman features. At times though he does really walk the line of doing something different with the revenge tale of having it over-done not work. He has the style knacked for it, but as a first time going at it here and there it does get a bit too much.

That being said, those who are coming to this film after having seen most of Raimi's other work get a convincingly B-story to go along with his wild techniques. Liam Neeson stars as a on-the-brink-of-something-big scientist who gets about as horribly close to death as possible after ruthless (rather ruthless in as much comic-book as 80's action-movie) gangsters do "a number" on him and his lab. Assumed dead, he puts his equipment back together, puts on masks of his enemies, and little by little gets back at them while trying to have a connection with his old love (Frances McDormand) connected to all of this as well. With this as the groundwork, and with the two main actors up for the roles- Neeson is very good here in a performance that's got him as tortured leading man ala 30's horror/murder mystery movie- the set pieces allow for Raimi to be creative in his own ways with the camera. I loved one scene where Neeson and McDormand are at the carnival, with the imagery hitting harsh (other freak), and then his frustration over a game. This is a scene emblematic of what Raimi is doing, and does more often than not, with his material.

Darkman is ambitious on that level of the visual, of trying to make a picture that in other hands would be very standard and possibly wretched in dramatic presentation, because it is both original and homage, typical in some ways and notable in others. These two sides may frustrate viewers; I'm inclined almost to say that this is even more 'cult' than Raimi's Evil Dead films. Moments of hilarity do come up sometimes, and it is with some relief when it does come along, though sometimes too the subtle black-comic approach doesn't hit. It's worth a watch though if you're a comic book fan or even just into thrillers that don't kid themselves too much. Up to par with the rest of the director's work? It's close enough, if not really great, but then in its sort of B-movie status, it doesn't need to be as a good time.


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