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Dances with Wolves (1990)

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Lieutenant John Dunbar, assigned to a remote western Civil War outpost, befriends wolves and Indians, making him an intolerable aberration in the military.

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(screenplay), (novel)
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1,393 ( 257)
Won 7 Oscars. Another 43 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
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Ten Bears (as Floyd Red Crow Westerman)
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Black Shawl
...
...
...
...
Nathan Lee Chasing His Horse ...
...
Jason R. Lone Hill ...
Tony Pierce ...
Spivey
Doris Leader Charge ...
Pretty Shield
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Storyline

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways. Written by Greg Bole <bole@life.bio.sunysb.edu>

Plot Summary | Plot Synopsis

Taglines:

Lt. John Dunbar is about to discover the frontier...within himself. See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| |

Release Date:

21 November 1990 (USA)  »

Also Known As:

Danza con lobos  »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$598,257, 11 November 1990, Limited Release

Gross USA:

$184,208,848

Cumulative Worldwide Gross:

$424,200,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (extended) | (director's cut) | (DVD special edition)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cinematographer Dean Semler's daughter was a horse wrangler on the film. She broke both of her wrists when the horse she was riding was suddenly spooked and threw her. See more »

Goofs

Throughout the movie, Lt. Dunbar wears the yellow shoulder boards of a cavalry officer on his army jacket. In the scenes leading up to just before the Sioux war party leaves camp to attack the Pawnee, Lt. Dunbar has traded this jacket with Wind In His Hair for a breast plate. In the next sequence, the Sioux war party is leaving camp to attack the Pawnee and Wind In His Hair is seen wearing this jacket while on horseback, but the shoulder boards on it are now blue, the color worn by infantry officers. See more »

Quotes

Major Fambrough: The king is dead...
[raises a pistol to his head]
Major Fambrough: Long live the king...
[pulls the trigger]
See more »

Connections

Featured in Wyatt Earp: Walk with a Legend (1994) See more »

Soundtracks

Fire Dance
By Peter Buffett
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Frequently Asked Questions

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User Reviews

 
One of the great ones
27 August 2003 | by See all my reviews

People who say this movie is long and boring have obviously never sat through, oh, "Lawrence of Arabia," "Patton," "Doctor Zhivago," "The Godfather," "Ran," "Seven Samurai," or probably even "Braveheart." Thank God that not every filmmaker believes that a car must explode every 10 seconds in order for his movie to be a success. Kevin Costner is one of those directors who prefers the long format. David Lean, Francis Coppola and Mel Gibson, to name a very few, also worked in that format, and produced lasting works of art that also packed theaters. There are plenty of options for people who don't like movies that take the time to build character, drama and suspense, movies like "Charlie's Angels: Full Throttle," "Freddy Vs. Jason," and "Weekend at Bernie's." I don't think any of those movies has ever been called "boring," but they sure are crap cinema.

Onward. "Dances With Wolves" thrilled audiences way back in 1990 and made so darn much money precisely because people had forgotten the pleasures of the long narrative, the Western genre, and movies that weren't special effects schlock-fests. It remains an inspiring and moving experience, especially on DVD, which preserves the movie's theatrical sound and picture quality.

Costner's direction is first-rate. He's able to blend intimate drama with big, sprawling action that covers a huge canvas. I'm amazed at how smoothly the film segues from movement to movement -- action, alienation, suspense, social commentary, romance. Heck, Spielberg could take a lesson or two from this movie.

He also gets great performances out of his cast. I don't think of these people as actors, but as the characters they play. That's a compliment not just to the actors themselves, but their director. And, yes, Costner is terrific as John Dunbar.

Sure, it's easy to call "Dances" politically correct w/ reference to the Indians. But it also treats them as people and, better yet, as fictional characters whose lives are made part of a fascinating narrative. I just consider all the complaints about the politics of this movie as total hogwash.

Finally, the movie is beautifully shot, has an unforgettable score, and is very well-written. I've never thought of "Dances" as a Western, but a modern action picture/character study that avoids all the boring cliches of the Western genre. Here is a movie that stands for something, means something, and deserves at least as much respect as some of the overrated dreck we've gotten saddled with lately.


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