Allison is a "square" good girl who has decided she wants to be bad and falls hard for Cry-Baby Walker, a Greaser (or "Drape" in John Waters parlance). Spoofing Elvis movies and Juvenile Delinquency scare films of the '50s, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get Allison back.Written by
Linda (& Moo)
In an interview about the movie, Traci Lords emotionally recalls how the entire cast rallied together to make her feel welcomed and safe. While being investigated by the FBI during filming, John Waters and others would hide Tracy because the 22 year old was so terrified about the ordeal. Afterwards, she speaks about how they all told embarrassing stories they had about run-ins with the law to show that she wasn't alone. See more »
During the "King Cry-Baby" song, Hatchet-Face has a very impressive saxophone solo. However, it is clear that she is not really playing, because her hands never move up and down the saxophone. See more »
The film begins with an old-fashioned 50's style Universal logo. It's also accompanied by 50's doo-wop music. A stage curtain opens up the movie. See more »
In the original version, the courtroom scene has an exchange between Wanda (Traci Lords) and her mother and father (Patricia Hearst and David Nelson) where Wanda asks her parents to get her out of the situation. Specifically, she asks them to get her "the fuck" out of here. "Fuck" is beeped out when Wanda initially utters it, and subsequent uses of the word are beeped as well when Wanda's mother asks her husband what the F-word means. The beeping-out continues until Wanda's mother asks the judge if she can take her daughter "the fuck home," uncensored, causing the courtroom audience to chuckle. In a version being aired on "Indie" channel in November, 2007, the scene is intact, but the word "fuck" is not beeped out. See more »
I admit, on first hearing about this film even I (the major Johnny Depp fan) was a bit skeptical to view it. But, I figured, hey, it's JD, why not? And, I now must say, that is goes down as one of my favorite movies. Why? because it's an amazing spoof my John Waters. As a lover of old musicals from the 50s and 60s, it's just amusing to watch a spoof of them, especially one done so well as this. My fav scene (don't worry..no spoilers..) is one where Crybaby (JD) performs a song in a comedic Elvis Presley fashion, which shows how dynamic JD is as an actor. what else makes this movie great? The music. There's not one boring song where you feel like it'll never end, because you don't want it to end. (yes, i own the soundtrack..i'm pathetic, i know). It's just a great movie..well, if you like a musical that spoofs other musicals.
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