Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Lowly hotel clerk Matthew Welch stumbles unto a chance to go on a date with supermodel Hexina by pretending he is someone else. But something goes wrong on the date, she tries to kill him! ... See full summary »
Independent of each other, the Pal family - parents Hazari and Kamla, and their three offspring Amrita, Shambu and Manooj - and Max Lowe arrive in Calcutta, their initial dealings there ... See full summary »
In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone ... See full summary »
The K&K store that catches fire towards the end of the movie has been renovated over the intervening years since the movie was filmed and is now a luxury apartment building called Crescent at Fells Point by Windsor. It is located on Fell Street in Fells Point. See more »
Although the beginning of the picture is set in the late 1940s, the Christmas song "Silver Bells" is heard on Jules' car radio, sung by Bing Crosby. That version of the song was released in 1950. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
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The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
AVALON (1990) **** Armin Mueller-Stahl, Aidan Quinn, Elizabeth Perkins, Kevin Pollak, Joan Plowright, Lou Jacobi, Elijah Wood, Leo Fuchs. Barry Levinson's personal masterpiece, loosely autobiographical, on family values. Absolutely charming and at times poignant account of the Krachinsky clan, spanning four generations of the Baltimore based Jewish immigrants, and the effects of suburbia, television and the decline of the closeness of American families at large. Wonderful ensemble of talent with a steadily paced and absorbing calmness in tone. Stahl gives a sterling endeavor as does young Wood as his wide-eyed grandson. Loving valentine for all families perfectly realized. Great production design and cinematography.
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