An amnesiac soldier, seeking his lost love, arrives in Archangel in northern Russia to help the townsfolk in their fight against the Bolsheviks, all quite unaware that the Great War ended three months ago.
In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown... See full summary »
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A musical of sorts set in Winnipeg during the Great Depression, where a beer baroness organizes a contest to find the saddest music in the world. Musicians from around the world descend on the city to try and win the $25,000 prize.
Maria de Medeiros
Lt. John Boles, a one-legged soldier, is assisting the White Russians in the Russian Arctic during World War I. He finds himself in Archangel, a crystalline city of spires and domes, inhabited by some very confused people. Boles loves Iris, who is dead, and meets Veronkha, whom he mistakes for Iris. But Veronkha is already married to Philbin, who forgets he is married to Veronkha. Veronkha thinks Boles is Philbin...Written by
L.H. Wong <email@example.com>
In the original script, Boles' false leg was lost before he arrives at the cottage in Archangel, and the leg was to be replaced by a harpoon. The harpoon would then be thrown at the life-size statue of the Holy Virgin (outside the cottage), piercing its eye. None of this made it into the final film, though the large "One-Eyed Virgin" statue does appear. See more »
both humorous and haunting-an out of this world cinematic thrillride!
Part black comedy, part romantic drama, and part horrific war film-"Archangel" manages to blend these genres with its consistent surrealist style, the style that practically all of Canadian filmmaker Guy Maddin's films are made of. Before I continue this review I'd like to point out that I absolutely ADORE the films of Guy Maddin. I think of him as the Canadian David Lynch (and Lynch is my all time favorite filmmaker, so that's high praise), but comparing him to other icons doesn't truly do his work justice. He certainly has his own, distinct style, his films always mimic the visuals of a silent film, particularly those of Eisenstein. He also experiments a lot with use of overdubbing dialogue, a dreamlike atmosphere, and bizarre, dark humor. His style is not for everybody, but for those that can appreciate this oddball genius his films come across like underrated treasures, and "Archangel" may just be my very favorite.
This film is both gruesome and powerful, it makes a statement about dealing with love and loss, while also entertaining us with its wacky plot and laugh out loud humor. I had a ball watching this bizarre, tragicomic tale, mainly due to its fast paced nature and heavy surrealism. Those who seek an other wordly experience will likely adore this film, for I think it best captures Maddin's famously odd style. The acting is at times somewhat wooden, but its obvious that this is the movie's intent. Much of the jokes are performed in a completely deadpan and slightly awkward manner, which makes them even funnier.
The dialogue is great, the visuals are beautiful, the story is brilliantly weird, and I cannot find a single problem with this little masterpiece. Those who enjoy the avant garde must see this film as soon as possible!
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