Josh Baker meets a very special woman, Cheryl, in the streets of New York. Suddenly she collapses, and she's picked up by an ambulance. When Josh wants to visit her in the hospital, it ...
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NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
Susan switches identities with her new friend Nicole, so that Nicole can pay for her medical bills with Susan's insurance. Then Susan finds herself trapped in her new identity when Nicole ends up dead under questionable circumstances.
Josh Baker meets a very special woman, Cheryl, in the streets of New York. Suddenly she collapses, and she's picked up by an ambulance. When Josh wants to visit her in the hospital, it appears that she hasn't been admitted in the hospital. Josh follows the roommate of Cheryl, and she disappears after a ride in the same ambulance. It's up to Josh to solve the secret behind this strange vehicle.Written by
Tony Kessen <email@example.com>
The ambulance used is a 1973 Cadillac commercial chassis with coach work by Miller Meteor. It is a Lifeliner model with 54 inches of rear headroom. The actual movie car is now owned by a collector in California. See more »
You can always count on at least one thing going into a Larry Cohen movie - and that's a good time. Cohen had already tackled rogue police officers before it came to this film with Maniac Cop, and thus he decided to make a film about a rogue ambulance. The Ambulance may not be Cohen's finest achievement; but its great lightweight entertainment, and I'm sure very few people that watch this film will regret doing so. Naturally, there's not a great deal of point to the proceedings, and Cohen seems keen to focus as much on entertainment value as possible, which is no problem if you ask me. The plot focuses on Josh Baker; a humble cartoonist who, one day, decides to try and charm a woman on the street. Tragedy strikes when she passes out, but everyone is reassured when an ambulance turns up. However, upon going to check on her at the local hospital, Josh finds that she isn't there - and further investigation makes him realise that there has been several people going missing, and it turns out that a fake ambulance with fake doctors and nurses is abducting people!
The idea behind this movie is actually quite frightening; ambulances are a service that we rely on and so having one going rogue and abducting people is a frightening idea. Cohen doesn't capitalise on this, however, which is rather odd; and despite a few scenes with the maniacal doctor, there really isn't all that much horror on display. Others ideas that aren't capitalised on include the moral perspective of whether sacrificing a few people to cure millions is a righteous exorcise. But really, none of this is particularly important as I didn't want an Ingmar Bergman film anyway. Cohen has rounded up a good cast of cult actors to populate his film with. Eric Roberts is entertaining in the lead, and receives good feedback from the likes of James Earl Jones, Megan Gallagher, the amusingly named Red Buttons and the sadly underused Eric Braeden. The plot is a little choppy at times, but it generally flows well and I don't remember being bored at any time during the film. The ironic ending is a blast, and although I don't doubt that this film could have been better; it's still fun enough and I won't hesitate to recommend The Ambulance to anyone!
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