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Title: All the Vermeers in New York (1990)
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2 wins & 2 nominations.
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Cast
| Complete credited cast: | |||
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Emmanuelle Chaulet | ... | Anna |
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Katie Garner | ... | Nicole (as Katherine Bean) |
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Grace Phillips | ... | Felicity |
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Laurel Lee Kiefer | ... | Ariel (as Laurel Kiefer) |
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Gracie Mansion | ... | Gallery Owner |
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Gordon Joseph Weiss | ... | Gordon |
| Stephen Lack | ... | Mark | |
|
|
Roger Ruffin | ... | Max |
Edit
Plot Summary
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Storyline
Anna, a French actress, is approached by financial broker Gordon in the Vermeer room of a New York gallery. However, romance does not ensue...
Plot Keywords:
actress | world trade center manhattan new york city | wall street manhattan new york city | metropolitan museum of art manhattan new york city | manhattan new york city |Parents Guide:
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See more on IMDbPro »
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Details
Country:
USALanguage:
EnglishRelease Date:
4 April 1991 (USA) See more »Also Known As:
Tutti i Vermeer a New York See more »Filming Locations:
New York City, New York, USAEdit
Box Office
Budget:
$250,000 (estimated)Gross USA:
$142,721Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
StereoColor:
ColorAspect Ratio:
1.85 : 1
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Did You Know?
Connections
Featured in At the Movies: Lethal Weapon 3/The Favour, the Watch and the Very Big Fish/The Waterdance/Night on Earth/All the Vermeers in New York (1992) See more »Frequently Asked Questions
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This movie is as subtle as good champagne, as illuminating as a nova star and as poisonous as curare. The "it of it" is easily missed if you are poorly educated and/or badly informed. This is French existentialism on a collision course with capitalism-fueled post industrial deconstructionism. The parallels between the machinations and lies of Wall Street's deals and the morally derelict art world of galleries and art dealers is poignant. Also poignant are the excerpts in French which counterpoint a decadent civilization based on a materialistic narcissism out of control. The whole thing comes to a screeching pitch when the things in life that most people believe are really worth living and dying for (money, honor,love, God) become nothing but a series of meaningless mirages. In the end there is not even God to help us make sense of the dissolute lives we lead. The beautiful Ana, in spite of herself, becomes an exterminating angel for the man who thinks is in love with her. But even she has to run away from New York to save herself and her dreams. In the end the only thing worth holding on to is all the Vermeer's in New York. And remember, no one really knows who Vermeer was. Only his magical light remains on the canvas. - Also contains an unforgettable scene atop one of the now defunct Twin Towers. Sort of creepy foreshadowing of history.